Cormac McCarthy´s The Stonemason and the Ethic of Craftsmanship by Federico Bellini

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More Than silica; exposure of stonemasons to volatile organic compounds by Maggie Davidson, Christian Madden, Sue Reed, Greg O'Donnell

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Stone Topography – Useful Tool in Monuments Restoration Process by Michal Cihla, Kateřina Kovářová, Richard Malát, Jaroslav Valach

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Construire dans l’Antiquité by Amira Belhout

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Stone industries

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Photogrammetric Documentation of Stone Surface Topography Changes as a Tool in Conservation Praxis by Jindřich Hodač, Kateřina Kovářová, Michal Cihla, Eva Matoušková, Eva Frommeltová

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TWO COPTIC INSCRIPTIONS IN THE ABOU EL-GOUD STORAGE MAGAZINE by Ahmed Khalil

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CONCEPT OF "GENERIC ORIGIN" AND CHRISTIAN VALUES AS THE MAIN CHARACTERISTICS OF PAVEL VASILYEV'S ARTISTIC SYSTEM by Nina Viktorovna Popova

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To tårn tett i tett: Hamar bispedømmes regionale håndverkermiljø i middelalderen by Kristian Reinfjord

“…Regional stonemason environments in Medieval Hamar diocese The Hamar bishopric established in 1152–1153 saw large building activity after 1200. …”
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Steenhouwersmerken opnieuw beschouwd: Steenhouwers en fabrieksrekeningen van de Dom in Utrecht by Pepijn Van Doesburg

“…Stonemasons’ marks on those sections of the Dom Church in Utrecht built after circa 1450 belong to the type of late medieval marks widely used in regions within the Holy Roman Empire. …”
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“TEMPORIBUS DOMINI IOHANNIS EPISCOPI...” – On the Beginnings of Pre-Romanesque Sculpture in Boka Kotorska by Meri Zornija

“…They are considered to be work of a highly skilful stonemason workshop, for which the name Stonemason Workshop from the Time of Bishop Ivan of Kotor has been proposed. …”
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TYPOLOGY, SIZE AND MEASUREMENT OF THE GOTHIC ARCHITECTURE. THE FOCUS OF BURGOS (XIIITH-XIVTH CENTURIES) by Antonio Jesús García Ortega

“…The stonemason groups originated in the construction of the Burgos cathedral and Las Huelgas built numerous churches, spread over many locations. …”
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Voorwoord (The broad connection) by M. Dolfin

“…This day also was seized upon to present two new appearances: the book Work and mark of the stonemason, the trade of the stonemason in the Netherlands before 1800 by H. …”
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Middle Kingdom tombs from Asasif: work in the 2015/2016 season by Patryk Chudzik

“…Of greatest interest among the finds are Middle Kingdom stonemason’s tools and cartonnages from the Third Intermediate Period.…”
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Tommaso Loraghi «tagliapietre», the last altar by Simone Sirocchi

“…The altar of the Blessed Virgin of Carmine in the church of San Biagio in Modena, the most precious for the polychrome marbles which it is made of, is here attributed to Tommaso Loraghi (1608-1670), famous sculptor and stonemason engaged in the most important construction sites of the duchy of Este. …”
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Cutting Force in Stone Machining by Diamond Disk by S. Turchetta

“…The chip generation and removal process has been quantified with the intention of assisting both the toolmaker and the stonemason in optimising the tool composition and cutting process parameters, respectively.…”
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Painting or relief: The ideal icon in iconophile writing in Byzantium by Pentcheva Bissera V.

“…If I am not mistaken, the architect took from the painter architrave's, capitals, bases, columns and pediments, and all other fine features of buildings. The stonemason, the sculptor, and all the workshops and crafts of artificers are guided by the rule and art of the painter. …”
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On the Attributions of the Grave Monument of the Jagić Family in Varaždin by Ana Kaniški

“…A woman in a richly pleated dress sits on the right corner of the plain obelisk, which is signed by the Slovenian stonemason Feliks Toman. Valuable information on the provenance, commission, creation, and installation of the monument can be found in extensive correspondence sent by Jagić to his family members and acquaintances. …”
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Investigation on Stone Machining Performance Using Force and Specific Energy by S. Turchetta, W. Polini, I. S. Buyuksagis

“…The chip generation and removal process has been quantified with the intention of assisting both the toolmaker and the stonemason in optimizing the tool composition and cutting process parameters, respectively.…”
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Om bergvisjoner og diktning hos Ibsen by Even Arntzen

“…Not only does Irene insist on calling Rubek – stonemason by profession – a poet. The drama as such, and perhaps in particular Professor Rubekʼs marble stone group, can also be considered as a kind of meditation over Ibsenʼs life work. …”
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