Cynical authorship and the Hong Kong studio system : Li Hanxiang and his Shaw Brothers erotic films by Teo, Stephen

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The Persistence of Hollywood by André Rui Graça

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Programming a Public Mediascape: Distribution and the Japanese Motion Pictures Experience by Rea Amit

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Meaningful learning trough planning didactic secuences, execution and asessment in the psychology by Dora Aide Ramirez Gonzalez, Álvaro Diego Cardona Marín

Subjects: “…and gradual analog core resources of the studio system and sequences.…”
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Quand les studios dominaient le cinéma japonais au tournant des années soixante :un même répertoire au service de stratégies concurrentielles by Simon Daniellou

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Studio Experiences in Planning Education: Muğla (Menteşe) Studio by Gizem Erdoğan

Subjects: “…muğla; urban planning studio; system approach; strategic spatial planning.…”
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Long-term patterns of gender imbalance in an industry without ability or level of interest differences. by Luís A Nunes Amaral, João A G Moreira, Murielle L Dunand, Heliodoro Tejedor Navarro, Hyojun Ada Lee

“…Female representation among actors, directors, producers and writers dropped to extraordinarily low values during the emergence and consolidation of the Studio System that in some cases have not yet recovered to pre-Studio System levels. …”
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Fugitive Plots: Adaptation, Storytelling, and Choreography in Cabin in the Sky and Stormy Weather by Elena Igartuburu

“…Cabin in the Sky and Stormy Weather are two 1943 all-Black cast musicals made within the studio system. When compared they exemplify some of the changes taking place in this system regarding the representation of Black people and visualize the work of networks of Black performers and film workers with clear goals grounded on Black solidarity and unity. …”
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The Film Industry in China: Past and Present by Ainhoa Marzol Aranburu

“…It overviews, in the first place, the main regulations that have shaped the industry and then it goes deep into the business of moviemaking through the analysis of the studio system, the evolution of the Chinese film market the and the shift in international relations the country has had regarding this cultural industry.…”
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Rôle et trajectoires des producteurs du roman porno Nikkatsu by Dimitri Ianni

“…When the studio system collapsed during the 1970s, Nikkatsu, Japan’s oldest major film studio, decided to switch to the quasi-exclusive mass production of low-budget erotic films. …”
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ReFocus: The Films of William Friedkin, by Steve Choe. University of Edinburgh Press, 2023, 210 pp. by Michael Gibson

“…Film directors in the late 1960s and 1970s created cinema that challenged rules and conventions around form and content, particularly as the studio system and censorship apparatuses collapsed, while also contributing art that participated in and reflected the tumultuous social, political, and generational shifts underway in American culture. …”
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Comment Hollywood figure l’intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Dr. (2001) et Inland Empire (2006) by David ROCHE

“…Rather, Hollywood is a character, a presence, revealed as both horizontal and vertical, physical and abstract, evoking the city, the studio system, cinema and dreams, so that the satire, the visual motifs and clichés and the topography of Hollywood, and the references to Hollywood films, constitute a complex fabric of subjectivity and interiority.…”
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Freely Licensed and Open Source Pipelines for Art Based Film and Media Production by Anthony Whitehead

“…The advent of affordable media development tools has opened up the world of media production to those who were previously locked out of the Hollywood studio system. Proprietary software including Adobe Creative Suite, Autodesk?…”
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My Life and the Final Days of Hollywood by Claude Jarman Jr. by Gwenda Young

“…The bitter observation of child actor Bobby Driscoll, who won a special Academy Award for his performance in The Window (1949), sums up the attitude of many actors that have found themselves built up and feted, only to be cast aside by the studio system’s ruthless prioritising of the bottom line. …”
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The Fragility of Authorship for Film Directors in Contemporary China by Ceccarelli, Giorgio

“…In the early 1990s, the Sixth Generation of directors changed the canons of Chinese art-house cinema, adopting a gritty neo-realist style, investigating the darker sides of Chinese society, and working outside the official studio system. Despite recognition in the international festival circuit, which deprived them of national distribution, they decided to return to the fold. …”
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Contribution to the Development of a Simulation Model for a Seaport in Specific Operating Conditions by Čedomir Dundović, Mirko Bilić, Joško Dvornik

“…In compliance with the developed system-dynamic, mental-verbal and structural model, using the Powersim Studio system-dynamic flowchart of the port cargo system, in Powersim Studio simulation language, it is possible to conduct a scientific research of the dynamics of the continuous behaviour of the observed port cargo system in an experimental way, i. e. by using computers, simulating various scenarios of likely occurrences in the real world, without jeopardising it. …”
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Identity from Symbolic Networks: The Rise of New Hollywood by Katharina Burgdorf, Henning Hillmann

“…The evidence suggests that symbolic ties through shared citations allowed New Hollywood filmmakers to realize their vision of autonomous auteur filmmaking and to draw symbolic boundaries that separated them from the old Hollywood studio system.…”
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Performing gender in the studio and postmodern musical by Michael Charlton

“…The two example films from the studio era, Howard Hawks’ Gentlemen Prefer Blondes (1953) and the restored version of George Cukor’s A Star is Born (1954), are contextualised not only within the studio system but through the constructed star personae of their leads—Marilyn Monroe and Judy Garland. …”
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Suzuki Seijun and Postwar Japanese Cinema, by William Carroll. Columbia University Press, 2022, 286 pp. by David Franklin

“…William Carroll’s Suzuki Seijun and Postwar Japanese Cinema offers an effective re-evaluation of Suzuki’s career, presenting a lucid study of the work of a director who has often been dismissed as a “formally inventive but frivolous and nonsensical filmmaker”, one whose innovations within a rigid studio system conflated genre filmmaking with avant-garde experimentation, and whose dismissal by his studio galvanised a politically agitated Left into active protest (128).…”
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Performing process : the artist studio as interactive art by Blackaller, Luis (Luis Eduardo Blackaller Bages)

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