Soltan Hajibeyov’s “Caravan” Symphonic Poem by Ровшана Керімова

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Khuddur Yātrā: a Symphonic Poem of Texts and Images by Elizaveta Ilves

“…Following Bachtin, who proposed to analyze literary work by using the musical concept of polyphony metaphorically, the author argues that the concept of symphonic poems provides the best way to approach the complexity of text-image congruencies in this work. …”
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Program, Tonality, and Sonata Deformation in Leopoldo Miguéz’s Symphonic Poems by Norton Dudeque

“… The aim of this text is to address Leopoldo Miguéz (1850–1902) approach to sonata form in his three symphonic poems. Each one of these works presents a different approach to the rhetorical musical discourse of sonata form and a specific “deformation” of the form. …”
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Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis by Martina Štěpánová, David Kozel

“…The study has the objective to newly interpret the symphonic poem Jūra in the context of archetypal symbolism.…”
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Music and the perception of the mountains through the symphonic poems of Liszt, Franck and Strauss by Adrià San José Plana, Jordi Martí-Henneberg, Justino Losada Gómez

“…This is a process that began and was developed in Europe in the course of the 19th century.To do so, we propose a study of the symphonic poems entitled “Ce qu’on entend sur la montagne” by César Franck (1822-1890) and Franz Liszt (1811-1866), and “Eine Alpensinfonie”, by Richard Strauss (1864 – 1949). …”
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Prométhée, op. 21 by Leopoldo Miguez: Considerations on the Symphonic Poem, Its Program and Sonata Form by Norton Dudeque

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Beyond Sonata Deformation: Liszt’s Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form by Steven Vande Moortele

“…In his seminal 1855 essay Berlioz und seine Harold-Symphonie- a thinly disguised apology for his own symphonic poems- Liszt defends the formal innovations in contemporaneous orchestral music by invoking its programmatic nature. …”
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О претворении традиций национальной композиторской школы Тувы в симфонической поэме «Степь» О. Кургек... by Баркова, Наталья Александровна

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«Danse macabre» К. Сен-Санса: От песни к симфонической поэме by Сейберт, Андрей Юрьевич

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К вопросу влияний российского композиторского опыта на творчество Ямады Косаку by Максимова, Анастасия Михайловна

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Eduardo Sánchez de Fuentes: un creador musical polémico by Irina Pacheco Valera

“…These pages, result of a bigger investigation about Eduardo Sánchez de Fuentes ‘s contributions to the musical patrimony of Cuba, attempts the rescue from a historical-social perspective, from the courses of the historical justice, because it is evidenced in this musician’s contributions in the field of the song, and its incursions in a meritorious way in the goods like: the operetta and in the opera, in the orchestra and in the ballet, in the oratory and in the symphonic poem, in the critic and in the musicology. This article refers to some of the fundamental budgets approached in the work of Sánchez de Fuentes, with the purpose of investigating its polemic universe in itself and by the light of the cultural counterpoint of its time, and this way to surrender deserts homage to this famous musicologist.…”
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El cultivo de la música docta en Chile como una práctica histórico-social. La comunicación, circulación y recepción de tres obras sinfónicas pioneras en dos espacios institucionale... by Luis Merino Montero

“…The purpose of this article is the discussion of two pioneer orchestral works written by Enrique Soro (1884-1954) (Grand Concerto in D major for piano and orchestra, 1918; and Grand Romantic Symphony in A major, 1921) and one by Luigi Stefano Giarda (1868-1952) (Beyond Death, symphonic poem, op. 131, 1922), in terms of their communication, circulation and reception during two consecutive periods of the history of Chilean music, spanning between 1918-1923 and 1928-1950, within the framework of power as handled by music institutions. …”
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TWO SCORES HIDDEN DURING THE COMMUNIST REGIME: CÂNTAREA BASARABIEI AND MOARTEA EROULUI BY PAUL CONSTANTINESCU by HÎRLAV-MAISTOROVICI, SANDA-VALENTINA, HÎRLAV-MAISTOROVICI, VLAD-MIHAI

“…Animated by strong patriotic emotions, the composer wrote, in a few days, two works: the cantata „Moartea eroului” (Death of the Hero) and the symphonic poem” Cântarea Basarabiei”(Singing to Bassarabia). …”
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Zur Deutung von Dokumenten kompositorischen und analytischen Denkens. Béla Bartóks Arbeit mit zyklischen Themen by László Vikárius

“…Works from the three essentially different periods of Bartók’s œuvre, the early symphonic poem Kossuth (1903), the first Violin Concerto (1907/08) together with closely related compositions as well as the Music for Strings, Percussion and Celesta (1936), are considered from the perspectives of the compositional process and motivic-thematic relationships.…”
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Uncovering the Stylistic Traits of Romantic Leopoldo Miguéz by Desirée Mayr

“…Leopoldo Miguéz (1850–1902) was a pioneer of absolute music in Brazil, composing the first Brazilian symphony, symphonic poem, violin sonata, and nocturne. Despite his prominent position in historical accounts of the late-nineteenth century in the country, his music has received little analytical attention to date due to its lack of Brazilian elements. …”
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Comparative Analysis of the III. Movement of Cemal Reşit Rey’s Work “the Legend of Bebek” with Turkish Folk Song “Bebek Ninni” / Cemal Reşit Rey’in “Bebek Efsanesi” Eserinin III.... by Önder Özkoç

“…He composed “Bebek Efsanesi (Baby Legend)” symphonic poem in 1928 on baby narrative in Turkish Folk Culture and used many folk songs in this music. …”
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Tchaikovsky, leitor de Dante: lugar da angústia e imaginação narrativa em Francesca da Rimini op.32 (1876) Tchaikovsky, reader of Dante: a place of anguish and imaginative narrativ... by Rafael Alves Pinto Junior

“…<br>The paper aims at discussing the structure of Francesca da Rimini op. 32, a symphonic poem inspired on Canto V do Inferno (1307) from Divina Comédia of Dante Alighieri (1265-1321) and composed by Pyotr Ilyich Tchaikovsky (1840-1893) in 1876. …”
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Narratiiv ja topos Heino Elleri “Sümfoonilises legendis” by Karl Joosep Pihel

“…This reading is hopefully the first of many narrative analyses of Eller’s and other Estonian composers’ unique late-romantic and early modern symphonic poems.…”
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Il poema sinfonico nell’opera giovanile di Arnold Schönberg by Francesco Finocchiaro

“…I due poemi sinfonici incompiuti Frühlings Tod, ispirato a Nikolaus Lenau, e Toter Winkel, da un testo di Gustav Falke – ambedue composti tra la primavera e l’estate del 1898 –, sono i documenti di una nuova poetica: essi rappresentano il primo tentativo compiuto da Schönberg al fine di stabilire, su un piano formale e tematico, un collegamento con le avanguardie artistiche e letterarie del suo tempo. The Symphonic Poem in Arnold Schönberg’s Early Works Arnold Schönberg’s early works have long been at the centre of renewed musicological interest. …”
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CAMILLE SAINT-SAËNS’S CONCEPT OF “VIOLIN CONCERTO” by Cătălina GUŢANU

“…The syntheses of classical and romantic principles, as well as the inclination towards symphonic poems and monothematic structures are specific features of Saint-Saëns’s ample creations. …”
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