THE INFLUENCE OF COLOUR ON THE EFFICIENCY OF BASKETBALL THROWS by Moroşan Larionescu Virgil, Mihoc Pantelimona

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A ‘Palimpestuous’ Reading of Lisa Strøme’s The Strawberry Girl by Dana Bădulescu

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Color y experiencia, lenguaje y arte by Ana Iribas Rudín

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Atmosphère olfactive et festive du sanctuaire grec : l’odeur du divin by Véronique Mehl

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Can music be figurative? Exploring the possibility of crossmodal similarities between music and visual arts by Actis-Grosso Rossana, Lega Carlotta, Zani Alessandro, Daneyko Olga, Cattaneo Zaira, Zavagno Daniele

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Where Neuroscience and Art Embrace The Neuroaesthetics by Mohammad Torabi Nami, Hasan Ashayeri

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Sensory determinants of the autonomous sensory meridian response (ASMR): understanding the triggers by Emma L. Barratt, Charles Spence, Nick J. Davis

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Iconicity in the lab: a review of behavioural, developmental, and neuroimaging research into sound-symbolism. by Gwilym eLockwood, Mark eDingemanse

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Where Neuroscience and Art Embrace; The Neuroaesthetics by Mohammad Torabi Nami, Hasan Ashayeri

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Synesthesia in Mahmoud Darwish and Qahar Asi’s Poems (A Case Study on Don’t Apologize for What You’ve Done and from the Fire from the Silk by Vahidullah Jamal, Abdol Ali Alebooye Langroodi

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The sounds and tastes of colours : hue and saturation in Isluga textiles by Penelope Dransart

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Senses in Visual Arts as a Prism for Philosophy and Through the Prism of Philosophy by Corentin Heusghem

Subjects: “…senses/synaesthesia…”
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How well do you see what you hear? The acuity of visual-to-auditory sensory substitution by Alastair eHaigh, David J Brown, Peter eMeijer, Michael J Proulx

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Associative memory advantage in grapheme-colour synaesthetes compared to older, but not younger adults by Gaby ePfeifer, Nicolas eRothen, Jamie eWard, Dennis eChan, Natasha eSigala

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The merit of synesthesia for consciousness research by Tessa Marije Van Leeuwen, Tessa Marije Van Leeuwen, Tessa Marije Van Leeuwen, Wolf eSinger, Wolf eSinger, Wolf eSinger, Danko eNikolić, Danko eNikolić, Danko eNikolić, Danko eNikolić

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Eyes that hear. The synesthetic representation of soundspace through architectural photography by Elisa Morselli

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DO YOU SEE WHAT I HEAR? A VANTAGE POINT PREFERENCE AND VISUAL DOMINANCE IN A TIME-SPACE SYNAESTHETE by Michelle eJarick, Mark T Stewart, Daniel eSmilek, Michael J Dixon

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Why are there different types of synaesthete? by Julia eSimner

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Rhythms of Nature and Culture in the Art of M. K. Ciurlionis by Wiesna Mond-Kozłowska

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Personality profile of child synaesthetes by Louisa J. Rinaldi, Rebecca Smees, Duncan A. Carmichael, Julia Simner

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