Theatre Criticism in Hungary by Péter Száffko

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The Shadow Theatre of Theatre Criticism by Margareta Sörenson

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Theatre Criticism as Living Archives by Miruna Runcan, Camelia Oană (tr.)

“…In this sad and depressing landscape, this paper aims at proving that theatre criticism – reviews, essays, surveys, interviews - can offer a rich and relevant archival dimension and vivid documentary material for re-imagining and revisiting famous theatre performances – in terms of directorial visions, spectacular visual and sound spaces and legendary acting.…”
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British Theatre Criticism: the End of the Road? by Aleks Sierz

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Theatre Criticism: Changing Landscapes (BOOK REVIEW) by Aikaterini Delikonstantinidou

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In Extremis: Theatre Criticism, Ethics and the Public Sphere by Christopher Balme

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Hands-on and Group Work: Online Theatre Criticism in Brazil by Daniele Avila Small

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Theatre Criticism and Digital Poetics (A Case Study) by Diana Damian Martin

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The Theatre Leads, and Criticism Follows: Interview with Italian Theatre Critic Andrea Porcheddu by Margherita Laera

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“Aren’t you even dead yet?” – Theatre Criticism and Cultural Ownership by Manabu Noda

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Criticism 2.0: Benefits and Challenges of Theatre Criticism Web Sites by Russell T. Warne

“…In the United States the full-time theatre critic’s job has been a casualty of the economic crisis facing American newspapers. …”
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The Performance of Protest in a Post-COVID World: A Theatre Critic’s Perspective from India by Deepa Punjani

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Let advanced theatre have advanced criticism (Czech theatre criticism in the National Theatres expectations) by Petra Ježková

Subjects: “…czech theatre criticism…”
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Community-based theatre: Critical pedagogy for promoting social connectedness recovery in the post-pandemic era by Lulu Jiang, Farideh Alizadeh

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Can Theatre Criticism, Hit by the Crisis of Printed Media, Respond to the Complex Artistic Expressions of Contemporary Theatre? by Theresa Bener

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Arts Journalism and Theatre in the Pandemic Era: Mutations, Redefinitions and Challenges by Zoe Ververopoulou

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THE A.P. CHEKHOV CHISHINAU RUSSIAN DRAMA THEATRE OF THE SECOND HALF OF THE 20th CENTURY THROUGH THE PRISM OF CRITICISM by AXIONOVA NADEJDA

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Leon F. Lyday and George W. Woodyard, A bibliography of Latin American theatre criticism 1940-1974. University of Texas, Austin, 1976; xviii + 243 pp. by Martha Elena Venier

“…Se reseñó el libro: A bibliography of Latin American theatre criticism 1940-1974.…”
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Issues of Participatory Digital Theatre. Reflections on Three Forms Developed during the Pandemic by Eliane Beaufils

Subjects: “…Participatory art, Zoom Theatre, Criticality, Experience, Imagination…”
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The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski by Yannick Butel

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