Theatre management : producing and managing the performing arts / by 498290 Conte, David M., Langley, Stephen

Eesti teatrite repertuaari koostamise põhimõtted 1986–2006 / Principles for building the repertoire of Estonian theatres in 1986–2006 by Sven Karja

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An American Investor in the Theatre Industry of Budapest by Gyöngyi Heltai

Subjects: “…theatre managers’ biography, Hungarian-American Cultural Relations, Vígszínház–Paramount cooperation, transnational theatre history, US entertainment press…”
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Mogul og mesén: Filmprodusenten Egil Monn-Iversen by Tore Helseth

“…Abstract The producer (and composer, conductor, theatre manager, record company executive, chairman of many cultural enterprises, among other things) Egil Monn-Iversen (b. 1928) was a renowned film producer in Norwegian film history. …”
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Reading Aloud in Britain in the Second Half of the Eighteenth Century: Theories and Beyond by Roberta Mullini

“…Thomas Sheridan, actor, theatre manager and elocutionist, had been dead for eleven years, when The Reader or Reciter was published, targeting those who had already followed Mr. …”
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Scenekunstens (for)handlingsrom etter 22. juli by Siemke Böhnisch

“…July”), with an emphasis on independent theatre, aesthetic heteronomy and the public sphere. A theatre manager’s (Jon Refsdal Moe) retrospect account of and reflections upon a case of self-censoring is the starting point for my (re-)examination of the arguments and dynamics concerning some of the most prominent contentious 22. …”
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The Era of Tadeusz Pawlikowski and Irish Theatre by Barry Keane

“…Tadeusz Pawlikowski was arguably Poland’s greatest theatre director of the fin de siècle. With stints as Theatre Manager in both Kraków and Lwów municipal theatres, Pawlikowski excelled in developing ensemble casts and cultivating audiences without kowtowing to popular tastes. …”
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Fictional, Factual, and Flying Space: Throwing at the Theatre in The Author on the Wheel by Hope Bernard

“…The anonymously-written one-act play The Author on the Wheel, or, a Piece Cut in the Green Room premiered at Theatre Royal Drury Lane on April 18, 1785 (The Daily Universal Register April 18, 1785). It follows a theatre manager with an awful, yet necessary task on his hands: to substantially revise and cut down a play in between the play’s first and second performances. …”
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Teatr Miejski we Lwowie u progu niepodległości (1918-1919) by Mariola Szydłowska

“…The Lviv stage was managed by Roman Żelazowski, the first theatre manager to come after the theatre had been taken over by the municipal administration. …”
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Pedagogical Heritage of P. K. Saksahánskyi by V. D. Miziak

“…Filling the gap in the artistic biography of Ukrainian outstanding actor, director, theatre manager and pedagogue P. K. Saksahánskyi makes it possible to enrich the vision of stage activity carried out by coryphées of Ukrainian theatre. …”
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Engagements et circulation des artistes au xviiie siècle. Le cas des théâtres Alibert et Argentina de Rome by Élodie Oriol

“…The work covers the negotiations among the different players of the theatre world (theatre managers, artists, mediators) and will focus especially on the choices made by theatre managers with respect to artists’ appointments.…”
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On the Role of the Theatrical Agent in Operatic Circuits at the Turn of the Twentieth Century: The Case of the Eastern Adriatic Coast by Cristina Scuderi

“…The article examines the role of the theatrical agent in the operatic circuits of the late nineteenth and early twentieth centuries on the eastern Adriatic coast in the light of his relations with theatre management, impresarios and fellow agents. There were many different types of theatrical agent involved in managing operatic seasons, and they had different working practices.…”
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Le rôle du débat des recettes des théâtres de Paris dans la vie théâtrale du Second Empire (1858-1867) by Michele Sollecito

“…Then, it highlights the economic aspects linked to the theatre management, including some historical controversies such as the deduction on "Poor Laws” from receipts.…”
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Daily surgery caseload prediction: towards improving operating theatre efficiency by Hamed Hassanzadeh, Justin Boyle, Sankalp Khanna, Barbara Biki, Faraz Syed

“…Conclusion Predicting operating theatre demand is a viable component in theatre management, enabling hospitals to provide services as efficiently and effectively as possible to obtain the best health outcomes. …”
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“Sardoodledom” on the English Stage: T. W. Robertson and the Assimilation of Well-Made Play into the English Theatre by Anna Prośniak

“…Presenting the figure of Thomas William Robertson, the father of theatre management and realism in Victorian theatre, the focus is placed on his adaptations of French plays and his incorporation of the formula of the well-made play and its conventional dramatic devices into his original, and most successful, plays, Society and Caste. …”
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«Dziś rano dostałam Twój kochany list, a już wieczorem odpisuję»: Felicja Trapszo-Krywultówna do Leonii Jabłonkówny 1930–1936 by Grażyna Chmielewska

“…The letters published here date from 1930–1936; they bring biographical information about the two correspondents, news about theatres in Grodno, Kraków, and Częstochowa, about theatre management and companies, about the repertories. …”
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Imperium teatralne Maxa Reinhardta by Małgorzata Leyko

“…Reinhardt’s actions as manager of Berlin theatres—the Deutshes Theater, the Kammerspiele, and the Grosses Schauspielhaus—is presented against the backdrop of the German theatre management system that had been in place since 1896, when Gewerbefreiheit, the freedom of trade law that made theatre enterprise no different from any other commercial endeavour came into effect. …”
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Scaling production and improving efficiency in DEA: an interactive approach by Wilhelm Rödder, Andreas Kleine, Andreas Dellnitz

“…Small numerical examples illustrate such paths for selected DMUs; an empirical application in theatre management completes the contribution.…”
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Let advanced theatre have advanced criticism (Czech theatre criticism in the National Theatres expectations) by Petra Ježková

“…In spite of that Czech theatre criticism and its media shortly before the opening of the National Theatre still tackled the lack of readers, underdeveloped cultural enviroment and paralysing touchiness of the theatre management.…”
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The Role of the Director and His Impact on the Dramaturgy of the Slovak National Theatre in the Interwar Period by Michal Ščepán

“…This study deals with the comparison of the work and theatre management of individual directors in the interwar period, with an emphasis on opera and operetta dramaturgy. …”
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