The classical theatre of China / by 405984 Scott, Adolphe Clarence

Grand theatres in China: a Mosaic analysis of database by Charlie Qiuli Xue, Cong Sun, Lujia Zhang

“…To demystify the phenomenon, the authors have collected materials of all completed grand theatres in China, and compiled a database. Through analyzing the database, one can see the trend and characteristics of grand theatre design in China. …”
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Dance Creation and Analysis under the Perspective of LBMS: Using Glowing Ocean as an Example by Shaobo Liu

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The Reception of German Expressionist Drama in China by Chen Dahong

“…Expressionist Drama has been an important phenomenon of Modernist Theatre. In China, however, not enough attention has been paid to it in the academic field. …”
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Gli studi goldoniani in Cina alla metà del XX secolo by Ileana Di Nallo

“…This paper aims at analysing the critical interpretation of Carlo Goldoni’s theatre in China in the second half of the twentieth century, reading it as, using the definition of Chen Xiaomei, a form of Occidentalism. …”
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Realization of a Service Robot for Cleaning Spherical Surfaces by Guanghua Zong, Rong Liu, Jianwei Zhang, Houxiang Zhang

“…In this paper, based on analyzing the characteristics of the working target,a new kind of auto-climbing robot is proposed, which is used for cleaning the spherical surface of the National GrandTheatre in China. The robots' mechanism and unique aspects are presented in detail. …”
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Displaying Violence in Memorial Museums – Reflections on the Use of Photographs by Ljiljana Radonić

“…The contribution sets out with a brief introduction to the general history of the approach taken towards photographic material since 1945, before describing the transformation of its use in memorial museums – first in the much-discussed Western Holocaust and World War II context, but then also for the Asian-Pacific World War II theatre in China and Japan and with regard to the museumization of the more recent 1990s genocides in Bosnia- Herzegovina and Rwanda. …”
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Effects of Chinese opera on the reproductions of Ibsen's plays by Miriam Leung Che LAU

“…The second one is a fragmented insertion of a Peking opera excerpt into the staging of A Doll’s House by the National Experimental Theatre of China in 1998. One of the highlights of the play is a Norwegian actress, who plays Nora, singing and dancing a short Peking opera excerpt, thus replacing the tarantella dance in the original play. …”
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Cultural Institution and Institutional Culture from the Transcultural Perspective: What Is the Culture behind the Stage, and What Is the Culture inside a Cage? by Danny Yung, Maciej Szatkowski

“…The author describes the central distinguishing features of Yung’s activity and its consecutive stages over the years, as well as the impact of his work on theatres in China and Taiwan. The appendix provides a transcript of Yung’s talk at the conference Contemporary Acting Techniques in Eurasian Theatre, Performance and Audiovisual Art: Intercultural and Intermedia Perspective (2021). …”
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