The Producer’s Role in Director-Centric Theatrical Practice: The Professional Viewer by György Lőrinczy

“…In my research, I examine the tasks of the professional viewer (the theatre producer, manager or director) in chronological order, from the bare idea of a production to the final performance. …”
Get full text

“Bringing Back the Essential Meaning of the Theatre”: Harold Pinter and the Belarus Free Theatre by Andrea Peghinelli

“… The Belarus Free Theatre was founded in 2005 by Belarusian playwright and journalist Nikolai Khalezin and theatre producer Natalia Koliada. It is a dissident company which opposes the totalitarian regime of Lukashenko; therefore, in Belarus it must work underground. …”
Get full text

Cztery noty o Witkacym by Janusz Degler

“…Eckert who promised to recommend his plays to a theatre producer in Hamburg. 3. Witkacy “Honeycombed with Childishness,” or a DIY Way of Improving One’s Kaleidoscope. …”
Get full text

The Translational Body: Theatre Translation and Interpretation in Brazilian Sign Language (Libras) by Celina Nair Xavier Neta, Rachel Louise Sutton-Spence

“…Interviews conducted with TILSPs working in theatre, theatre producers and deaf audience members were analysed, drawing on Even-Zohar's Theory of Polysystems (2018) together with Embodiment Theory and existing Brazilian research by Silva Neto (2017), Fomin (2018), Resende (2019), Rigo (2019) and Albres and Santos (2020). …”
Get full text

William Shakespeare and Slovene dramatists (III): (1930-2010) by Mirko Jurak

“…It is rather surprising how quickly Slovene theatres produced works written by important foreign dramatists already in the period following the First World War not to mention how quickly plays written by the best European and American playwrights have appeared on Slovene stages during the past fifty years. …”
Get full text