Arnold Schönberg and musica artificiosa : a rationality in the musical composition by Vladimír Fulka

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ASPECTS RESULTING FROM THE ANALYSIS OF THE TONE ROW USED IN DE PROFUNDIS BY ARNOLD SCHOENBERG by Alexandra BELIBOU

Subjects: “…twelve – tone technique, tone row, atonality, all-combinatorial hexachords, Arnold Schoenberg.…”
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Compositional System of Osvaldas Balakauskas by Gražina Daunoravičienė

Subjects: “…twelve-tone technique, dodecatonics, modal system, lithuanian music, theoretical-compositional system, osvaldas balakauskas, formalism, soviet modernism…”
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Slovenian Twelve-Tone Music by Gregor Pompe

“…Slavko Osterc’s studies with Alois Hába and subsequent attendance at ISCM festivals triggered his interest in twelve-tone technique. In his first attempts before the Second World War (around 1936) and at the beginning of the 1960s the technique was employed very cautiously, not following the strict logic and system of the method. …”
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K Husově komponování s dvanáctitónovou řadou by Jiří Vysloužil

“…His limited interest in the twelve-tone technique is testified by his reports for the Prague music magazine Tempo (published until 1948). …”
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Between constructivist and pluralistic modernism - a contribution to the understanding of the Slavko Osterc's circle by Karmen Salmič Kovačič

“…On the one hand, there is a strong doubt of the Slovenian analysts in the progress (modernity) of the compositional means of the mentioned music, since the works are usually compared with the most extreme solutions of the Second Vienesse School – with atonality, athematicism or twelve-tone technique, and on the other hand the rejection of this music from the Slovenian cultural management in concert performing. …”
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Tambor y Mejorana: Roque Cordero's Rapsodia Panameña by Samuel Robles

“…Panamanian composer Roque Cordero (1917-2008) is known for his use of twelve-tone technique but also for the incorporation of Panamanian music into his compositions. …”
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Pedagogical contributions of Arnold Schönberg composition’s method by Josep Gustems Carnicer, Magda Polo Pujadas

“…Arnold Schoenberg’s twelve-tone technique made him one of the most influential composers of the twentieth century, but his contribution to music pedagogy remains far less well known. …”
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