Neurotoxic lesions of ventrolateral prefrontal cortex impair object-in-place scene memory. by Wilson, C, Gaffan, D, Mitchell, A, Baxter, MG

“…One capacity that is impaired by frontal-temporal disconnection is rapid learning of new object-in-place scene problems, in which visual discriminations between two small typographic characters are learned in the context of different visually complex scenes. …”

Strict compliance of documents in Letters of Credit (LCs) transaction: A new dimension by Che Hashim, R.

“…Under this approach, the doctrine of strict compliance must be followed strictly to the extent that the documents must not contain any discrepancies, even minor typographical errors which do not really affect the underlying contract. …”
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Polish research on publishing in Poland between 1945 and 2015: Themes, legacy and implications for further research by Maria Juda

“…The historiography concerning various typographic workshops located in the former Polish-Lithuanian Commonwealth is rich; however, it still requires further extensive studies. …”
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“Book of the Poet” as “Book of the Artist”: “Imago” by D. Dmitriev

“…This publication combines with the “book of the artist” the close connection between the text, the peculiarities of the visual and typographical solution, the perception of a poetic book as a unique art object. …”
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Early Music Recordings as Mythography: Monteverdi and the ‘Other’ Vespers by Bartłomiej Gembicki

“…I analyse around 500 albums (not only with Vespers music) released between 1952 and 2019, focussing on their iconographic and typographic content, as well as their graphic designs, in an attempt to show how the modern vision of this repertoire came to be formed and what persons and places are associated with this current in the history of early music recording. …”
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Représenter les langues des signes sous forme écrite : questions qui ont besoin (encore aujourd’hui) d’être posées by Claudia S. Bianchini

“…In fact, the GestualScript team has employed this "grapholinguistic" approach to develop Typannot, a typographic transcription system for SLs and co-verbal gestures.…”
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Distilled Avant-Garde Echoes: Word and Image in Architectural Periodicals of the 1920s and 1930s by Hélène Jannière

“…This is done, rst, by considering a wider range of professional periodicals of the late 1920s and 1930s – both avant-garde and traditional – and second, by focusing more on the modes of perception photography introduced within the space of the book than on photographic or typographic experiments. The driving hypothesis is that in periodicals of the late 1920s and 1930s, even in those of a rather traditional form ('L’Architecte, L’Architecture vivante, Quadrante'), new modes of perceiving the space of the book as a whole gave rise to semantic associations generated by juxtapositions or e ects of distance between word and image. …”
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Sprachwissenschaftliche Forschung in Polen und Deutschland nach der Wende by Agnieszka Mac

“…Bilingual communication discourses in press texts and the typographical design of the text type congratulations are analysed in German-Polish comparison. …”
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Letter to readers by Donatella Persico, Stefania Manca, Francesca Pozzi

“…As you might have noted, the journal cover has also changed, together with its style, size and graphical/typographical layout. This brings the journal into line with scholarly publications in our sector and makes it more readable on mobile devices. …”
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Approche textométrique de l’articulation du discours narratorial et des discours directs dans un corpus de contes du XVIIe siècle by Catherine Boré, Denise Malrieu

“…The editions used were printed when direct speech was not typographically marked. To characterize the tales, we analyzed the interaction between the introductory segments, interpolated clauses and punctuation.   …”
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“Not a Single Epithet, Metaphor, or a Desire to Be Reflected In a Symbolic Mirror”: A Whitmanesque Echo in Igor’ Terent’yev’s Poetry by Anna V. Shvets

“…While residing in Georgia with Zdanevich and Kruchenykh (that’s from 1917 up until the 1920s), Terentiev would write books of poetry exhibiting an unusual typographic design as a means of enhancing the poetic effect. …”
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Comparative analysis of neural networks Midjourney, Stable Diffusion, and DALL-E and ways of their implementation in the educational process of students of design specialities by N. Derevyanko, O. Zalevska

“…The authors of this paper revealed the significant potential of artificial intelligence, namely neural networks, in design, namely for creating fonts, typographic elements, posters, banners, graphics, and illustrations. …”
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Cyrillic Old-Printed Books of the Principalities of Moldavia and Wallachia: Review of Eeditions and Peculiarities of Copies of the Funds of the Vernadsky National Library of Ukrain... by Zabolotna Nataliia

“…Despite its small amount, the Romanian old-printed books collection of the NBUV isrepresentative and gives an idea of some of the general features of the typographic heritage of the principalities of Moldavia and Wallachia of that time. …”
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The etymology of Chinese Chén by Cook, Richard Sterling

“…The erudition of the author is everywhere apparent, not least in the extensive apparatus of notes. Typographically, this is the most complex document ever published in LTBA. …”
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Corresponding forms: aspects of the eighteenth-century letter by Egan, G

“…I consider the editorial habits and typographical conventions that governed letter-writing during the period, honing in on Richardson's contributions. …”

The printed transmission of lyrics in Italy from 1470 to 1530 : the book of verse by Cannata, N

“…</p> <p>The thesis investigates the typographic development of the book of verse, to see how it affected the nature and contents or the texts carried and ultimately also the definition of the <em>canzoniere</em> genre as the privileged, "official" form of writing poetry. …”

Neurotoxic lesions of ventrolateral prefrontal cortex impair object-in-place scene memory by Wilson, C, Gaffan, D, Mitchell, A, Baxter, MG

“…One capacity that is impaired by frontal-temporal disconnection is rapid learning of new object-in-place scene problems, in which visual discriminations between two small typographic characters are learned in the context of different visually complex scenes. …”

The Conceptualization of Mathematics in Sudoku Poetry by Puzi Hadi by Hashim, Noriani, Ain, Rosnidar

“…Based on the researcher's observations, the typographical poems produced are quite complex including alphabets, characters, vocabulary, numbers, images and symbols that certainly have a somewhat critical meaning for the reader to understand. …”
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Tucuxi-BLAST: Enabling fast and accurate record linkage of large-scale health-related administrative databases through a DNA-encoded approach by José Deney Araujo, Juan Carlo Santos-e-Silva, André Guilherme Costa-Martins, Vanderson Sampaio, Daniel Barros de Castro, Robson F. de Souza, Jeevan Giddaluru, Pablo Ivan P. Ramos, Robespierre Pita, Mauricio L. Barreto, Manoel Barral-Netto, Helder I. Nakaya

“…Results Our method was able to overcome misspellings and typographical errors in administrative databases. In processing the RL of the largest simulated dataset (200k records), the state-of-the-art method took 5 days and 7 h to perform the RL, while Tucuxi-BLAST only took 23 h. …”
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Some methods for blindfolded record linkage by Christen Peter, Churches Tim

“…A limitation of their method is that only exact comparisons of values are possible, although phonetic encoding of names and other strings can be used to allow for some types of typographical variation and data errors.</p> <p>Methods</p> <p>A method is described which permits the calculation of a general similarity measure, the <it>n</it>-gram score, without having to reveal the data being compared, albeit at some cost in computation and data communication. …”
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