Imagética grotesca by Antonio Vargas

Subjects: Get full text

Immagini e immaginario del Giappone in Francia e in Italia dall’ukiyo-e al cinematografo degli inizi del Novecento by Elena Nepoti

Subjects: Get full text

Improving Deep-Feature Image Similarity Calculation: A Case Study on an Ukiyo-e Card Matching Game Lottery by Zhenao Wei, Pujana Paliyawan, Ruck Thawonmas

Get full text

Almazán Tomas, David y Ogata Gekkō. Estampas del Genji Monogatari. Gijón: Satori, 2002, 164 pp. by José Pazó Espinosa

Subjects: Get full text

Intuitively Searching for the Rare Colors from Digital Artwork Collections by Text Description: A Case Demonstration of Japanese Ukiyo-e Print Retrieval by Kangying Li, Jiayun Wang, Biligsaikhan Batjargal, Akira Maeda

Get full text

三代歌川豊国画『百人一首絵抄』に見る構図の再製　[Remanufacturing of the composition in the Hyakunin isshu eshō by Utagawa Toyokuni Ⅲ] by 中村純子 Nakamura Sumiko

Subjects: Get full text

Trwanie plamy i migotanie linii. Przestrzeń i czas w grafikach Arthura C. Danto by Piotr Winskowski

Subjects: Get full text

Fireflies in Art: Emphasis on Japanese Woodblock Prints from the Edo, Meiji, and Taishō Periods by Deirdre A. Prischmann-Voldseth

Subjects: Get full text

From Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E.... by Marco Gargano, Margherita Longoni, Valeria Pesce, Maria Chiara Palandri, Aurora Canepari, Nicola Ludwig, Silvia Bruni

Get full text

Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy by Tana Villafana, Gwenanne Edwards

Subjects: Get full text

A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods by Anna Cesaratto, Yan-Bing Luo, Henry D. Smith, Marco Leona

Subjects: Get full text

El amante viscoso: Sawatari, Shindo, Amano y la revisión del grabado Tako to Ama, de Hokusai, en la fotografía artística y el cine by Adolfo de Mingo Lorente

Subjects: “…Estampa japonesa (ukiyo-e)…”
Get full text

Materials for the study of modern and contemporary graphics by Marzia Faietti, Maria Ilaria Garavelli, Francesco Mancinelli, Eugenia Mandaglio, Ottavia Mosca, Lorenzo Pirazzi

Subjects: Get full text

Manifestation of the Kabuki actors’ gender in woodblock prints of the Edo Period by Beata ROMANOWICZ

“…Both phenomena flourished in the Edo period and had a crucial impact on the visual art of the time, inspiring pictures of the Floating World (Jap. Ukiyo­‑e). The images on Ukiyo­‑e woodblock prints serve as a pretext for approaching the matter of whether to portray an actor as a performer (a man) or as the character performed by him (which could also be a woman, as in the case of the onnagata actor). …”
Get full text

Desentrañando "lo pornográfico" by Amaury Garc\u00EDa Rodr\u00EDgez

“…El ukiyo-e, y por ende el makura-e, era una producción centrada en lo comercial, dedicada y dispuesta a satisfacer la increíble demanda por materiales impresos, tanto...…”
Get full text

L’estetica del mondo fluttuante: il “giapponismo” di Deleuze by Fabio D. Palumbo

“…In the first instance, this study observes Deleuzian affinities with japonisme as a “cultural fashion”, with a specific focus upon the link between aesthetics of simulacra and Japanese prints of the ukiyo-e genre. Secondly, to be taken into account is the connection between the Deleuzian Ethics of the Event and Zen practice, with reference to the philosophers of the Kyōto School. …”
Get full text

Locating and Relocating Cultural Engagements in a Transnational Age by David Bell

“…How can they embrace international tropes, while retaining the distinctly local sensibilities of Yamato-e “Japanese picture”, cursive kana calligraphies, or ukiyo-e “floating world pictures”? This paper examines the apparent paradox of these questions through the divergent projects of Katsushika Hokusai, Kusama Yayoi, and Masami Teraoka. …”
Get full text

Cultura visual japonesa: a intersecção entre arte e o design gráfico. by Flávio Almeida

“…Posteriormente, o desenvolvimento de três linguagens artísticas japonesas (ukiyo-e, sumie e rinpa) será contextualizada para criar análises e relações visuais com trabalhos na área do design gráfico japonês.…”
Get full text

The Mythic Experience: The Audiovisual Spectacle of the Biwa Hoshi Narrative and Performance in Ghost of Tsushima by Carmel Anne B. Abela

“…This includes a discussion of the tradition and how it translates into a video game format, highlighting the special audiovisual spectacle that relies on familiar Japanese imageries such as the sumi-e and ukiyo-e, which are unique to this part of the game. …”
Get full text

A multi-analytical approach to identify red colorants on woodblock prints attributed to Suzuki Harunobu by Lyndsay N. Kissell, Trine K. Quady, Dario Durastanti, Samantha Springer, Jeannie Kenmotsu, Tami Lasseter Clare

“…Abstract Red organic dye identification is an important topic for conservation of Japanese ukiyo-e prints. Of particular interest are the works of Suzuki Harunobu, who was working at the inception of full-color printmaking. …”
Get full text