Obraz filmowy jako dzieło sztuki by Marek Hendrykowski

“…It is only its specific kind whose basic function consists in looking for the ever newer layers of cinematographic expression in film, TV spectacle, video-art, "light, music and sound" performance and the like. …”
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Skyvelære (While Attempting to Balance) by Ellen Johanne Røed

“…In this number of In Formation the video is presented as an individual piece of video art, accompagnied with a text.…”
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Lie Back and Take It: BDSM, Biomedicine and the Hospital Bed in the work of Bob Flanagan and Sheree Rose by Martin O’brien

“…The article discusses a number of works but focuses on Bob Flanagan and Sheree Rose’s 1992-1995 retrospective 'Visiting Hours' (Santa Monica Museum of Art in 1992; New Museum of Modern Art, New York in 1994; and Boston Centre for Fine Art in 1995) in which the gallery is turned into a hospital displaying all of their visual and video art works and includes the artists themselves. …”
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Cartografía de las ruinas: sitios de memoria del punk chileno en tres documentos audiovisuales by Macarena Urzúa Opazo

“…Throughout the analysis of three audiovisual pieces, two documentaries films and one video art, the countermovement of punk appears as a way to occupy Santiago during military dictatorship in the late eighties. …”
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From Mister Fantasy to Immagina: electronic art in tv by Paola Lagonigro

“…However, as artists and theorists denounce, little space was given to broadcast and vulgarize works of video art and computer art, although television would have been their natural fruition medium. …”
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Que reste-t-il du cinéma? by Jacques Aumont

“…Much has changed in the social and aesthetic status of cinema, at least since the appearance of video art; but cinema, in general, has not disappeared, quite to the contrary, and remains a very important social practice. …”
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The Wonder Years: Nostalgia, memory and pastness in television credits by Kathleen Williams

“…Helman, 2012) is a complex exploration of the idea(l) of the historical real. And the work of video art Fiorucci Made Me Hardcore(Mark Leckey, 1999) is a creative treatment of nostalgia which invites us to reconsider the medical origins of the term.…”
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Re-animating Ghosts: Materiality and memory in hauntological appropriation by Michael Peter Schofield

“…Due to the multimodal nature of the author’s creative practice, photography, video art, documentary film and animation, are interrogated here theoretically. …”
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Materiais educativos para exposições de arte contemporânea: análise de duas experiências em Uberlândia by Luciana Arslan, Maria Celinda Cicogna Santos

“…Finally, this article suggests some procedures that can improve the public experience in relation to digital and video art works. KEYWORDS Audio guide, art education, museums education.…”
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Research on the flow experience and social influences of users of short online videos. A case study of DouYin by Cheng Zheng

“…Previous research has extensively examined traditional video arts such as TV and movies and text or image based, while research on short online videos has increased only in recent years. …”
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ОСНОВНІ ТЕНДЕНЦІЇ РОЗВИТКУ ОБРАЗОТВОРЧОГО МИСТЕЦТВА В СУЧАСНІЙ УКРАЇНІ by С. Ю. Боєва

“…The development of Ukrainian art of sculpture, engraving and caricature is in focus of the article, as well as new styles of the Ukrainian fine arts — installation, video art, performance, street-art, etc. The author concludes: economic difficulties experienced by Ukraine make the problem of social protection of arts especially urgent. …”
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Videocinta de vanguardia, la primera exposición de videoarte en México by Claudia Daniela Ferrer Mariano

“…En julio de 1973 la Galería de Exposiciones Temporales del Museo de Arte Moderno de la Ciudad de México (MAM) inauguró la muestra Videocinta de Vanguardia. Video Art Estética Televisual, bajo el auspicio de la Embajada de los Estados Unidos. …”
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Analogue video in the age of retrospectacle: Aesthetics, technology, subculture by Jonathan Rozenkrantz

“…Helman, 2012) is a complex exploration of the idea(l) of the historical real. And the work of video art Fiorucci Made Me Hardcore (Mark Leckey, 1999) is a creative treatment of nostalgia which invites us to reconsider the medical origins of the term.…”
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Enclosed by images. Insights, relationships, and information by Eusebio Alonso-García, Iván Rincón-Borrego, Sara Pérez-Barreiro

“…By analyzing some formal codifications in the visual strategy of a limited number of film proposals, it is possible to identify key relationships between art, video art, and prominent examples of advanced architecture since the mid-20th century, whose corollary extends to more recent decades. …”
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Monstrous Transformations by Nicholas Hauman

“…This essay further explores and problematizes this distinction through an analysis of the video art and music of the rap-rave group Die Antwoord and the photographer Roger Ballen, both of which provide images of Afrikaner Identity with differing ramifications for the formation of cosmopolitan identities. …”
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Murmur, Hum, Shout, Crash! by Adrienne Janus

“…Moving from Beckett’s late television plays (Ghost Trio, 1975) to contemporary installation and video art of central and peripheral avant-gardes such as Bruce Nauman’s Raw Materials (Tate Modern, 2004), John d’Arcy’s Beckett’s Basement (Castle Coole, 2011), and Harrison and Wood’s video performance Unrelated Incidents (Gallery Den Haag, 2012), this paper explores how murmurs, hums, shouts and crashes index two temporal phenomena brought to the fore by 20th and 21st century experimentation whose ephemeral, ungraspable nature demands a kind of perception more akin to listening than to looking. …”
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A Chance for Cinema-Writing in Electronic Literature by Will Luers

“…Through examples of cinematic electronic literature, as well as film and video art, I will present strategies for a computational cinema that welcomes chance operations into the process of signification; that seeks an “outside” within (and beside) narrative composition and authorial intent.…”
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The Analysis of Music Emotion and Visualization Fusing Long Short-Term Memory Networks Under the Internet of Things by Yujing Cao, Jinwan Park

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Art, body and gender: transgression and (re)creation of new realities by María Belén Angelelli

“…Technological and media developments of sixties nurtured these artistic practices, giving rise to which they were designated video performances and video art. The technical reproducibility helped save these performances works of the immediacy of the moment, and then reproduced in other places, in other times, toward thousands of spectators, expanding the possibilities of movement and reception of his metaphors. …”
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Progenitores del Vídeo. El Arte del Vídeo ante los Fantasmas de su Historia Familiar by Arturo Rodríguez

“…Tomando como base el texto del historiador y productor de televisión, John Wyver, “Coming to the terms with the frightful parent: video art and televisión”, se intenta analizar el modo en que la crítica cultural de los años ochenta influyó en el devenir de las relaciones del video con el arte y con la televisión, en una suerte de tensión familiar que determinó el camino para la institucionalización del video en los términos que hoy son admitidos. …”
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