And Now For Something (Not) Completely Different: approcci videografici allo studio e all’analisi del film by Chiara Grizzaffi

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Classification of Valvular Regurgitation Using Echocardiography by Imayanmosha Wahlang, Sk Mahmudul Hassan, Arnab Kumar Maji, Goutam Saha, Michal Jasinski, Zbigniew Leonowicz, Elzbieta Jasinska

Subjects: “…videographic echo…”
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Double Takes by Sarah Atkinson

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The language of rage by Alison Peirse

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Comparing Video Activity Classifiers within a Novel Framework by Chiman Kwan, Bence Budavari, Bulent Ayhan

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Performer Proust : Locke’s Way de Donigan Cumming et La dernière bande de Samuel Beckett by Florence Le Blanc

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"Guess What?": On Hidden-Camera Pranks' Revelation Sequences by A. Javier Izquierdo-Martín

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Mindful documentary by Barry, Barbara A. (Barbara Ann), 1967-

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FRONTLINE 2: The NZ Parliament protest: What the cameras in the crowd witnessed by Rituraj Sapkota

“…And moving on, writes a Māori Television videographer on reflection about the unprecedented hate directed at news media during the three-week occupation by anti-public health measures protesters. …”
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Making the Past Come Alive: Public Archaeology at Fort St. Joseph by Dean L. Anderson

“…Review of the DVD: Making the Past Come Alive, Steve Kettner, DVD producer, lead videographer, and editor; Media Production IT, Western Michigan University…”
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A sampler of alternative homes [videorecording] : approaching sustainable architecture by Hart, Kelly

Navigating Second Generation Memory and Auto/ biography in Home Video. A Video Collection of Hojda Stojka, Son of Artist and Survivor of the Porajmos Ceija Stojka by Renée Winter

“…Based on a close reading of significant video sequences, a narrative interview with the videographer, and Ceija Stojka’s publications and films, it analyses how the auto/biographical videos relate to the persecution of the parents’ generation. …”
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DSLR Cinema : Crafting the Film Look with Video / by Lancaster, Kurt, 1967-, author 526112

“…Learn to think more like a cinematographer than a videographer, whether shooting for a feature, short fiction, documentary, video journalism, or even a wedding. …”

Modeling the Marie-Séraphique: A Ship of the Trans-Atlantic Slave Trade

“…In this short documentary, members of an international team of scholars and visual artists describe to videographer Steve Bransford the process of creating a 3D model of the <em>Marie-Séraphique</em>, a Trans-Atlantic ship active in the trade of enslaved persons from 1769 to 1774. …”
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FRONTLINE 3: The NZ media and the occupation of Parliament by Byron Clark

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DV or Not DV: That is the Question When Producing Video for the Internet by Gregory Gutenko

“…A number of recommendations are offered that will help the videographer in an educational or production environment adapt to Internet limitations.…”
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Non-contact measurement of vibrations using deferred moiré patterns by Vladimir Saveljev, Jung-Young Son, Hyoung Lee, Gwanghee Heo

“…The method is self-calibrated and does not need special equipment in the field (except for a regular videographer’s apparatus). The objectives of this study were to create a method for non-contact moiré measurement based on camera images and to find a way to deal with anomalous vibrations of structures. …”
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Achieving mutual accessibility through the coordination of multiple perspectives in open, unstructured landscapes by Michael Sean Smith

“…Field geology provides a perspicuous setting for not just investigating how participants reconfigure themselves vis-a-vis local features in the landscape in order to perceive those features, but also for examining the relationship between the videographer’s perspective as documented on camera and that of the participants. …”
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Du placard aux réseaux sociaux numériques : circulation de la mémoire d’une scène by Sylvain Martet

“…Inspired by work on music and cultural scenes (Straw, 1991 ; Lussier, 2008), we propose to study the interactions surrounding the posting of concert videos of the Montreal hardcore scene by Andy Chico Mak who was heavily involved as a videographer. From 1997 to 2006, he filmed the majority of concerts in and around Montreal, amassing hundreds of video documents that he gradually shares via an Instagram account and a YouTube channel. …”
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D-ark—A Shared Digital Performance Art Archive with a Modular Metadata Schema by Anni Saisto, T.E.H.D.A.S.

“…This article addresses the problems of documenting an ephemeral art form and copyright issues pertaining to both the artist and the videographer. The concept of D-ark includes a modular metadata schema that makes a distinction between descriptive, administrative, and technical metadata. …”
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