Olive Face, Italian Voice: Constructing Super Mario as an Italian-American (1981–1996) by Marco Benoît Carbone

Subjects: “…voice acting…”
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A phonetic study of Zootopia characters’ voices in Brazilian Portuguese dubbing: the role of stereotypes by Alice Crochiquia, Anders Eriksson, Mario A. S. Fontes, Sandra Madureira

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Wearable Neck Surface Accelerometers for Occupational Vocal Health Monitoring: Instrument and Analysis Validation Study by Zhengdong Lei, Lisa Martignetti, Chelsea Ridgway, Simon Peacock, Jon T Sakata, Nicole Y K Li-Jessen

“…All participants were mounted with an NSA on their sternal notches during the voice acting and voice assessment sessions. The voice acting session was 4-hour long, directed by a voice director in a professional sound studio. …”
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Design Recommendations for Improving Immersion in Role-Playing Video Games. A Focus on Storytelling and Localisation by Vanessa Cesário, Mariana Ribeiro, António Coelho

“…The results provided design recommendations to enhance video game immersion (language and voice-acting) and highlight certain aspects that game designers should consider to further intensify players’ immersion during gameplay.…”
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Exploring the Attitudes and Expectations of Iranian Audiences in Terms of Professional Dubbing into Persian by Saeed Ameri, Masood Khoshsaligheh

“…The overall results revealed that translation quality was considered considerably less important than the technical issues related to the dubbing production, such as voice-acting and synchronization. The findings also suggested that the performance of dubbing actors and dubbing directors was regarded more important than the contribution of translators. …”
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PROSODIC VARIABILITY AND PROSODIC PORTRAIT CONSTRUCTION by Dunashova, A.V.

“…Thus, the object of the research are pitch, rate and voice quality characteristics of a linguistic persona in voice acting. The new aspect brought to the field is the focus on variation of prosodic features of one linguistic persona performing ten different voice-overs. …”
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Audible Efforts: Gender and Battle Cries in Classic Arcade Fighting Games by Milena Droumeva

“…This media ecology implicates not only the history of best practices for the games industry itself, but also the culture of professional voice acting, and the role of games as trendsetters for industry conventions of media representation. …”
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Capturing student voice on TEFL syllabus design: Agenticity of pedagogical dialogue negotiation by Reza Ahmadi, Morteza Hasani

“…Students were treated as marginalized agents with no determining role in syllabus designing, while the instructors’ voice acted as the sole leading factor. This study suggests that it is possible to envisage a situation wherein “student voice” is projected into syllabus development. …”
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Design and Validation of the Student Voice Realization Model based on the Administrators' Perception (With a Mixed Method Approach) by Tahereh Mohammadi, Adel Zahed Babelan, Ali Khaleghkhah, Mahdi Moeinikia

“…Finally It can be said Focusing more on listening to the student voice acts as a catalyst for change in schools and for improving the school management.…”
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Auditory feedback of one’s own voice is used for high-level semantic monitoring: the self-comprehension hypothesis by Andreas eLind, Lars eHall, Björn eBreidegard, Christian eBalkenius, Petter eJohansson, Petter eJohansson

“…This indicates that our sense of agency for speech has a strong inferential component, and that auditory feedback of our own voice acts as a pathway for semantic monitoring.…”
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