Yoshida Hiroshi: A Japanese artist in India: Woodblock prints from the Lahiri Collection by Pollard, C, Kumbera Landrus, M

“…Using traditional Japanese printing techniques but remaining closely involved with all stages of the print process unlike earlier ukiyo-e artists, he produced sophisticated prints with a translucent quality reminiscent of watercolours. The prints of iconic Indian views, reminiscent of watercolour paintings, demonstrate his technical sophistication and, his fascination with depicting light, water, its reflections and movement. …”

Gripsholmstavlorna åter omtolkade. En kommentar till Herman Bengtssons artikel i ICO nr 1/2, 2019 by Bo Vahlne

“…A hypothesis based on a hypothesis reduces any certainty. The small watercolour drawings of the lost paintings have not been analysed thoroughly enough to serve as historical sources. …”
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Hybridization of silhouette rendering and pen-and-ink illustration of non-photorealistic rendering technique for 3D object by Mat Noor, Noor Adibah Najihah

“…Some of approaches used in NPR were discussed such as cartoon rendering, watercolour painting, silhouette rendering, penand- ink illustration and so on. …”
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The Glacier Views of Jean-Antoine Linck – A Milestone for the Mont Blanc Glacier History from the 18th to the 19th Century by Samuel U. Nussbaumer, Heinz J. Zumbühl

“…Linck subtly used the etching technique to create easily reproducible plates in large format, which are then hand-coloured with gouache and watercolour. This technique allowed him to create numerous reproductions of the same view, while still giving them a unique and original aspect, views that are remarkable for their serenity and silence, while offering luminous atmospheres. …”
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The emotional gaze : a symbol of my mother's deep reflections in term of artwork / Ruzamira Abdul Razak and Ramlan Abdullah by Ruzamira, Abdul Razak, Ramlan, Abdullah

“…As a painter, I choose watercolour medium as my tools to represent the idea. …”
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Improving Visual Style Classification in Digital Games Using Intercoder Reliability Assessment by Jazmi Izwan Jamal, Mohd Hafizuddin Mohd Yusof, Kok Yoong Lim, Jamia Azdina Jamal

“…They were asked to classify nineteen visual style classification terms, including psychedelic, text, illusionism, photorealism, televisualism, handicraft, caricature, celshaded, comic book (anime), watercolour, Lego, minimalism, pixel art, silhouette, bright, dark, maplike, colourful, and black and white. …”
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Improving Visual Style Classification in Digital Games Using Intercoder Reliability Assessment by Jamal, Jazmi Izwan, Mohd Yusof, Mohd Hafizuddin, Kok, Yoong Lim, Jamal, Jamia Azdina

“…They were asked to classify nineteen visual style classification terms, including psychedelic, text, illusionism, photorealism, televisualism, handicraft, caricature, celshaded, comic book (anime), watercolour, Lego, minimalism, pixel art, silhouette, bright, dark, maplike, colourful, and black and white. …”
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'When tuneful bards awak'd the song sublime': the bardic sublime in romantic poetry, 1750-1825 by Fender, K

“…Chapter Two turns to the visual art and poetry of William Blake, exploring how visual responses to Gray’s Bard – including Blake’s own watercolour illustrations of Gray’s poems – served to shape the poetry that followed. …”

Sant och falskt om Gripsholmstavlorna by Herman Bengtsson

“…For this reason, the badly damaged decorations were copied in five still extant watercolours, and the original paintings were discarded. …”
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The early drawings of Malaya ( 1880-1894) by Frank Swettenham by Abdullah, Sarena

“…This paper discusses the drawings and watercolours produced by Frank Swettenham during his career period in Malaya. …”
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'Almost true': Peter Rindisbacher’s early images of Rupert’s Land, 1821-26 by Peers, L

“…This article examines early watercolours and sketches by Peter Rindisbacher, who in 1821, emigrated with his family from Switzerland to the Red River Settlement in Winnipeg, Canada. …”

«A traveller’s tales»: prassi disegnativa e teorie estetiche di Solomon Caesar Malan by Dodi, Elena

“…These journeys were documented by him with a collection of around 1,600 sketches and watercolours, assembled in ten albums. The observation of Malan’s travel drawings and the combined reading of his Aphorisms on Drawing, published in 1856, reveal a personality who was deeply immersed in the critical debate of his time, with a modern and personal conception of art, expressed first on a practical level and then on a theoretical level, but continuously inspired by a profound spirituality. …”
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Images écrites – images peintes. Intermédialité selon Dante : Divine Comédie, Inf. XVII by Winfried Wehle

“…The paper traces this long tradition on the basis of representative examples, such as John Flaxman’s as well as Pitt Koch’s illustrations or Salvador Dalí’s watercolours commenting on the Divine Comedy, Inferno XVII.…”
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Concerns over colour durability in the nineteenth-century industrial revolution: insights from John Ruskin’s teaching collection by Tea Ghigo, Michele Occhipinti, Andrew Beeby, Kelly Domoney, Daniel Bone

“…Archival research into nineteenth-century literature is combined with material analyses with macro-XRF, XRD and FORS on a group of watercolours by Ruskin preserved at the Ashmolean Museum to determine his attitude towards pigment stability. …”
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Concerns over colour durability in the nineteenth-century industrial revolution: insights from John Ruskin’s teaching collection by Ghigo, T, Occhipinti, M, Beeby, A, Domoney, K, Bone, D

“…Archival research into nineteenth-century literature is combined with material analyses with macro-XRF, XRD and FORS on a group of watercolours by Ruskin preserved at the Ashmolean Museum to determine his attitude towards pigment stability. …”

The journey to Southern Italy of Edward and Robert-Henry Cheney (1823-1825): the discovery of Calabria a mysterious and wild land by Maria Rossana Caniglia

“…The views produced by Edward, on which the essay dwells, depict the mountains of Pollino and those of Sila, the plain of Sibari, the Tyrrhenian coast of the Dei and that of Viola, changing landscapes where the architecture is flanked and blends with an unspoiled and lush nature. From the watercolours, pencil and ink drawings, made by the two brothers during the trip, it emerges clearly that it was the reality of the places visited that became the key to rediscover the naturalistic representation of the landscape.…”
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Gripsholmstavlorna och den svenska renässansen. Om Lucretia, Paris’ dom, Actaeon och Diana och andra populära motiv vid vasahovet by Herman Bengtsson

“…Since they were in a poor state of preservation and erroneously believed to depict scenes from Swedish history they were reproduced in five watercolours. The original paintings were soon lost. …”
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Contemporary Indigenous Australian Art and Native Title Land Claim by Marie Geissler

“…The focus is on three case studies, each differentiated by its distinct medium, commonly used in indigenous contemporary art—namely, ink/watercolours on paper, (Case study 1—the Mabo drawings of 1992), acrylics on canvas (Case study 2—the Ngurrara 11 canvas 1997) and ochre on bark, (Case study 3—The Saltwater Bark Collection 1997 (onwards)). …”
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Bible Journaling as a Spiritual Aid in Addiction Recovery by Amanda Dillon

“…Bible Journaling is a trend of the past decade whereby readers make creative, visual interventions in their Bibles, using coloured pens and pencils, watercolours, stickers and stencils, highlighting texts of particular resonance. …”
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Szathmári, a great documentary artist by Ionescu, Adrian-Silvan

“…An accomplished landscape and portrait painter, at ease with both watercolours and oil paints, Szathmári obtained commissions from the wealthy Wallachian boyars. …”
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