Content aware standard to widescreen video conversion by Bhavdeep Singh.

“…Prior to the establishment of the standard widescreen format 16:9 in 2008, a lot of video material exists which is in the 4:3 aspect ratio format. …”
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The Pamela Davies Collection: Continuity Supervision in British Widescreen and Colour Cinema by Steven Roberts

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Stepmom / [cakera padat digital] by 229998 Columbus, Chris

“…Side A is a widescreen version -- Side B is a full screen version…”

Eø. [videorecording] / by Fettig, Tad, Westrate, Elizabeth, Levison, Beth, Kontentreal (Firm), PBS Home Video

When Rome ruled [videorecording] / by Oliver, Dan, Silvester, Olwyn, Poor, Bray, National Geographic Society (U.S.), Vivendi Entertainment (Firm)

10 buildings that changed America [videorecording] / by Protess, Dan, producer, director, Baer, Geoffrey, narrator, Window to the World Communications, Inc., production company, Public Broadcasting Service (U.S.), publisher, PBS Distribution (Firm), film distributor

Building the great cathedrals [videorecording] / by Tiffany, Scott, Glassman, Gary, Sanders, Jay O., 1953-, Providence Pictures, Inc, Telfrance (Firm), ARTE France

EncyCloudPrado: didactic possibilities of new technologies for accessing information in museums by Carolina Fernández Castrillo, Bernd Lintermann

“…The results are projected on a 360-degree widescreen as dynamic collages of sounds, documents and images, turning web browsing into a spatial experience. …”
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Under Her Hat: Glimpses of Bonnet View by Janica Tomić

“…By replacing generic conventions, notably the customary widescreen with a square-like image, Meek’s Cutoff conveys the visual and social restrictions signified by women’s bonnets. …”
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Frozen [videorecording] / by Buck, Chris., Lee, Jennifer (Screenwriter), Scribner, Aimee., Lasseter, John., Bell, Kristen, 1980-, Gad, Josh, 1981-, Menzel, Idina., Walt Disney Studios Home Entertainment (Firm)

The Creative Labor of 2D-to-3D Conversion as a Reformatting Practice by Todd Kushigemachi

“…In addition to deepening our understanding of 3D cinema, the complexities of these practitioner discourses suggest how further research can critically engage with similarly adaptive textual practices of “reformatting,” such as the pan-and-scan of widescreen films and the colorization of black-and-white films. …”
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Snitch [videorecording] / by Gavron, Rafi., Harbour, David, 1975-, Bratt, Benjamin, 1963-, Sarandon, Susan, 1946-, Gonzales, Dana., Chibnall, Jonathan., Pinto, Antonio., Sinclair, Nigel., Waugh, Ric Roman, 1968-, Haythe, Justin, 1973-, Johnson, Dwayne, 1972-, Pepper, Barry, 1970-, Bernthal, Jon., Williams, Michael Kenneth., Kanakaredes, Melina, 1967-, Velazquez, Nadine, 1978-, Summit Entertainment., Exclusive Media Group., Participant Media., Imagenation Abu Dhabi (Firm), Front Street Productions (Firm)

PENINGKATAN KEMAMPUAN PEMECAHAN MASALAH LUAS BANGUN DATAR GABUNGAN MENGGUNAKAN METODE PROBLEM SOLVING DISERTAI DISKUSI SISWA KELAS KELAS VI SDN 29 AIR DINGIN by Nurhayati Nurhayati

“…With the aim of describing the improvement of problem solving skills of students in the material widescreen combined with the problem solving method along with discussion. …”
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Jack the giant slayer [videorecording] / by Lemke, Darren., McQuarrie, Christopher., Studney, Dan, 1966-, Moritz, Neal H., Singer, Bryan, 1965-, Hoult, Nicholas, 1989-, Tomlinson, Eleanor, 1992-, Tucci, Stanley., McShane, Ian, 1942-, Nighy, Bill, 1949-, McGregor, Ewan, 1971-, Warner Home Video (Firm), New Line Cinema Corporation., Legendary Pictures., Original Film (Firm), Bad Hat Harry Productions.

SEMANTICS OF SPACE IN THE ARTISTIC PICTURE OF THE WORLD OF O. F. BERGHOLZ

“…In a film story They Lived in Leningrad the city is presented as three-dimensional, panoramic, “widescreen”; in the same name play the spatial images are cut down, the conflict gets a psychological implication and refers to an “inner man”, the private space of the besieged city-dweller. …”
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Tukums kino hronikās by Viktorija Eksta

“…The new generation of filmmakers and the atmosphere of Khrushchev’s thaw in the early 1960s brought some lyricism and lightness into the content, as well as technical and aesthetic experiments such as widescreen, synced sound, colour, and various stylizations that in one way or another continued into the next decades. …”
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Virtual cinematic heritage for the lost Singaporean film Pontianak (1957) by Seide, Benjamin, Slater, Benjamin

“…The Pontianak trilogy by Cathay-Keris was ground-breaking for the genre at that time and registered several firsts in Singapore: Pontianak was the first Malay film to be dubbed into Mandarin, while Sumpah Pontianak is the first local CinemaScope (widescreen) film. The 1957 film is also considered the first depiction of the Pontianak in a film [2]. …”
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Cinematic virtual reality film practice: expanded profilmic event and mode of production by Chan, Fong Yuen

“…Imagery expansion from widescreen CinemaScope to frameless CVR has fundamental changes in all kinds of work in a film production, from screenwriting to directing to cinematography. …”
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Empires [videorecording] : the Greeks : crucible of civilization by Hardy, Justin, Bradley, Richard, Owens-Meyerson, Joan, Harrison, Cassian, Koval, Margaret, Atlantic Productions, PBS Distribution (Firm), Lion Television Ltd, PBS Home Video, Devillier-Donegan Enterprises, Artwork PBS, Paramount Home Entertainment (Firm), Plug-In, Inc, Public Broadcasting Service (U.S.), Devilier Donegan Enterprises