Traditional woodblock prints of Japan / by 449335 Takahashi, Seiichiro

Woodblock Printing by the Mu Chieftains of Lijiang by Sheng-Xiang Yang

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Manifestation of the Kabuki actors’ gender in woodblock prints of the Edo Period by Beata ROMANOWICZ

“…The connection between Kabuki theatre and Japanese woodblock prints of the Edo period (1603–1868), especially in their portraits of actors called yakusha­‑e, offers an exceptional opportunity to analyse perceptions of the sex of the actor: as the hero of the drama, as well as the character performed on the stage. …”
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The Digitalized Protection and Inheritance of the Woodblock Printing Called “Jinling Sutra Printing” by Huaidong Ge, Shuyang Deng

“…Jinling Sutra Publishing House, a protection site for Chinese woodblock printing, is the inheritance organization for Chinese woodblock engraving and ink printing of the Chinese Buddhism classics. …”
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Natural and synthetic arsenic sulfide pigments in Japanese woodblock prints of the late Edo period by Stephanie Zaleski, Yae Takahashi, Marco Leona

Subjects: “…Japanese woodblock prints…”
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Fireflies in Art: Emphasis on Japanese Woodblock Prints from the Edo, Meiji, and Taishō Periods by Deirdre A. Prischmann-Voldseth

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Yoshida Hiroshi: A Japanese artist in India: Woodblock prints from the Lahiri Collection by Pollard, C, Kumbera Landrus, M

“…After his return to Japan he produced a series of 32 woodblock prints inspired by his travels. A leading figure in the ‘shin-hanga’ (new print) movement, which contributed to the renewal of Japanese printmaking after the end of the Meiji era (1912), Yoshida first trained in the Western oil painting tradition. …”

Unveiling the Sacred Journey: The Birth of a Woodblock-Printed Buddhist Canon in the Great Hangzhou Region of the Southern Song Dynasty by Zhouyuan Li

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Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy by Tana Villafana, Gwenanne Edwards

Subjects: “…Japanese woodblock prints…”
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From Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy) by Marco Gargano, Margherita Longoni, Valeria Pesce, Maria Chiara Palandri, Aurora Canepari, Nicola Ludwig, Silvia Bruni

Subjects: “…Japanese woodblock print…”
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Hartland Hanga by Wuon-Gean Ho

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Idealizing a Daoist Grotto-Heaven: The Luofu Mountains in <i>Luofu Yesheng</i> 羅浮野乘 by Mengyuan Chai

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The World’s Oldest Book Printed by Movable Metal Type in Korea in 1239: The Song of Enlightenment by Woo Sik Yoo

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An Investigation of a Printer’s Block (Manchester, John Rylands Library, 17252) by Emerson Storm Fillman Richards

“…Some scholars believe that it dates to the fifteenth century and that it is, consequently, the oldest extant woodblock printing apparatus. Other scholars believe that it was made in the eighteenth century and it imitates the medieval iconography. …”
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Lavender by Soon, Jennifer Beiyu

“…There is more stylistic designs reminiscent of Japanese woodblock printing incorporated with contemporary designs. …”
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Post-COVID craft education by Cecilia Heffer

“…The discussion centres on a unique virtual global studio between fashion and textile undergraduate students at the University of Technology Sydney and on an artisanal woodblock print studio, Tharangini, based in Bengaluru (Bangalore), India. …”
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Soul of the Samurai [videorecording]

“…With unique 3D animation, ancient Japanese woodblock prints come to life. The Soul of the Samurai is the story of their life and of a culture unfamiliar to most of the Western world"--Container…”

Direct Evidence of Metal Type Printing in <i>The Song of Enlightenment</i>, Korea, 1239 by Woo Sik Yoo

“…Two of the six versions were once identified to be woodblock prints in the Goryeo dynasty in the 13th century and designated as Korean treasures in 1984 and 2012. …”
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Practical Research on Curriculum Development in Chinese Traditional Culture Universities with an Information Technology Background—Taking Wood Engraving Picture as an Example by Guo Yadong

“…In today’s rapid development of information technology, integrating woodblock prints into campus curriculum development is an effective path to cultivating students’ cultural confidence. …”
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Cataclysme et pouvoir politique dans l’imaginaire au Japon : l’exemple des namazu-e du séisme de l’ère Ansei (1855) by Julien Bernardi-Morel

“…This article attempts an analysis of the relationship between natural disasters and politics within the Japanese imagination through studying a collection namazu-e (woodblock prints depicting catfish), their effects during the earthquake of October 1855 and similarities to the aftermath of the March 11th tragedy.…”
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