Woodblock Printing by the Mu Chieftains of Lijiang by Sheng-Xiang Yang

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Hartland Hanga by Wuon-Gean Ho

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The World’s Oldest Book Printed by Movable Metal Type in Korea in 1239: The Song of Enlightenment by Woo Sik Yoo

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Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis by Marc Vermeulen, Lucia Burgio, Nathalie Vandeperre, Elyse Driscoll, Madeleine Viljoen, Janie Woo, Marco Leona

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Idealizing a Daoist Grotto-Heaven: The Luofu Mountains in <i>Luofu Yesheng</i> 羅浮野乘 by Mengyuan Chai

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Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’ by Capucine F. Korenberg, Lucia Pereira-Pardo, Peter J. McElhinney, Joanne Dyer

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Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada by Marc Vermeulen, Marco Leona

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Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy by Tana Villafana, Gwenanne Edwards

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Natural and synthetic arsenic sulfide pigments in Japanese woodblock prints of the late Edo period by Stephanie Zaleski, Yae Takahashi, Marco Leona

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A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods by Anna Cesaratto, Yan-Bing Luo, Henry D. Smith, Marco Leona

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Variations in Hiroshige’s Print “The Plum Garden at Kameido” by Capucine Korenberg

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From Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy) by Marco Gargano, Margherita Longoni, Valeria Pesce, Maria Chiara Palandri, Aurora Canepari, Nicola Ludwig, Silvia Bruni

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For the world does not yet censure Those who tread the paths of dreams by Polyxeni Potter

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