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    四面楚歌下的同志再现:李碧华和陈凯歌对《霸王别姬》的改写 = Representations of the besieged “Comrade” : Li Bihua's and Chen Kaige's adaptations of the Peking Opera “Farewell My Concubine”... by 許维贤 Hee, Wai Siam

    Published 2013
    “…It was at the historical juncture when foreign gunboats shattered the Qing regime’s belief in China as the world’s center that the Peking Opera was picked and named as the quintessential representative of Chinese Culture. …”
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    Journal Article