Drawing memories. by Chang, Jerly Wei Kiang.

“…DRAWING MEMORIES is a 3D animated short directed and animated by 4 team members, Chang Wei Kang, Thom, Chang Wei Kiang, Jerly, Yeo Bixia and Dionisius Kartalaksana. …”
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Crafting the narrative of The Beast in The Woods by Tan, Benjamin Wee Jin

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Capping layer enabled controlled fragmentation of two-dimensional materials by cold drawing by Chen, Ming, Li, Dong, Hou, Yuxin, Gu, Mengxi, Zeng, Qingsheng, Ning, De, Li, Weimin, Zheng, Xue, Shao, Yan, Wang, Zhixun, Xia, Juan, Yang, Chunlei, Wei, Lei, Gao, Huajian

“…Here, supported by experimental investigation, finite element calculations, and theoretical modeling, we systematically study the effect of a capping layer on the controlled fragmentation of 2D materials deposited on polymer substrates during the cold drawing. The capping layer is found to prevent the premature fracture of the 2D thin films during elastic deformation of the substrate, when a specific requirement proposed by the theoretical model is satisfied. …”
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Is everybody Kung Fu fighting? Indian popular cinema and martial arts films by Clini, Clelia

“…Drawing upon Yvonne Tasker’s examination of the ‘anticolonial narrative’ embedded in Hong Kong martial arts films, the analysis discusses the incorporation of a martial arts style of combat within Indian popular films as a response to colonial and orientalist tropes of Asian effeminacy and softness and argues that martial arts allowed the 1970s Hindi action hero to articulate an alternative, anticolonial, version of Asian masculinity.…”
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Singapore premiere. by Ong, Shannon.

Subjects: “…DRNTU::Visual arts and music::Film::Criticism…”
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Externally Tunable, Low Power Electrostatic Control of Cell Adhesion with Nanometric High‐k Dielectric Films by Leon, Victor J., Blanc, Baptiste, Sonnert, Sophia D., Varanasi, Kripa K.

“…Herein, cell adhesion is modulated by using nanometric high‐k dielectric films. Voltage is applied across the dielectric film, changing the film surface's zeta potential, ζ. …”
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Effects of woven fabric embedment on thin film composite membranes for osmotically driven membrane processes (ODMPs) by Teo, Shino Yu Qin

“…Among these, PRO is known for its renewable energy generation through osmotic gradients in recent years, with thin film composite membrane (TFC) playing a crucial role in its efficiency. …”
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Enabling high performance n-type metal oxide semiconductors at low temperatures for thin film transistors by Tiwari, Nidhi, Nirmal, Amoolya, Kulkarni, Mohit Rameshchandra, John, Rohit Abraham, Mathews, Nripan

“…However, rapid advances in such technologies require the development of high-performance thin film transistors, which can be fabricated at low processing temperatures. …”
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Thin film nanocomposite forward osmosis membrane with exfoliated layered double hydroxide nanosheets embedded support for fouling-resistant microalgae dewatering by Vrasna, Dhita Karunia, Goh, Pei Sean, Ahmad, Nor Akalili, Gonzales, Ralph Rolly, Wong, Kar Chun, Lim, Jun Wei, Lau, Woei Jye, Othman, Mohd. Hafiz Dzarfan, Ismail, Ahmad Fauzi, Matsuyama, Hideto

“…Dewatering of Chlorella vulgaris by FO in active layer facing feed solution (AL-FS) and active layer facing draw solution (AL-DS) was evaluated with 2 M NaCl as draw solution. …”

Covert by Chia, Celeste Yi Ying

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Smelling out another cinema. by Sim, Jiaying.

“…This essay addresses the uncertainties raised towards an olfactory cinema by close analyses of two films which draw our focus to smells: Perfume: The Story of a Murderer (2006), directed by Tom Tykwer, and Polyester (1981), directed by John Waters to suggest that even without the physicality of smells, smell has never been a sensorial experience that was out of reach in cinema. …”
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WGS.110 Sexual and Gender Identities, Fall 2010 by Surkan, K.J.

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The monsters under my bed : fears and phobias. by Chong, Cherlyn Peiwen.

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Experimental animation : alucinari by Loh, Li Wei

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WGS.111 Gender and Media Studies: Women and the Media, Fall 2008 by Surkan, K.J.

“…The course provides an introduction to feminist approaches to media studies by drawing from work in feminist film theory, journalism, cultural studies, gender and politics, and cyberfeminism.…”
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Current state-of-the-art of non-reverse osmosis-like forward osmosis technology by Chang, Zhen Hong, Sum, Jing Yao, Lau, Woei Jye, Ang, Wei Lun, Teow, Yeit Haan, Ooi, Boon Seng, Yeap, Swee Pin

“…While RSD and FSD are hardly unavoidable, proper selection of draw solutes for the intended application should consider the properties and costs of the draw solutes. …”

Effects of scaling and cleaning on the performance of forward osmosis hollow fiber membranes by Arkhangelsky, Elizabeth, Wicaksana, Filicia, Chou, Shuren, Al-Rabiah, Abdulrahman A., Al-Zahrani, Saeed M., Wang, Rong

“…Since mineral salt scaling is one of the major limitations for seawater desalination, the current study focused on the behaviors of thin film composite (TFC) FO hollow fibers, which were fabricated in our laboratory, under the circumstance of calcium sulfate (CaSO4) scaling with sodium chloride as draw solution. …”
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Influence of membrane active layer properties and support layer properties on organic and inorganic fouling in pressure retarded osmosis (PRO) process by Tan, Joelyn Yi Ying

“…Active layer towards draw solution (AL-DS) orientation was set-up for this experiment. …”
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Membrane structure-dependent limiting flux behavior and membrane selectivity loss during gypsum scaling : implications for pressure-retarded osmosis operation and membrane design by Fei, Jingyuan, Mai, Weiting, Cheng, Pak Shing, Shi, Jeffrey, Liu, Zongwen, She, Qianhong

“…We selected two typical osmotic membranes, thin-film composite (TFC) polyamide (PA) membrane and integrally asymmetric cellulose triacetate (CTA) membrane with different structures, for gypsum scaling tests in active-layer-facing-draw-solution orientation (an operating mode preferred for pressure-retarded osmosis). …”
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Echoes From the Stone Reframing Preservation in Syria Through Haurani Folklore by Alrifai, Hajar

“…This interdisciplinary chronicle draws from architecture, agriculture, literature, anthropology, and film, to reconstruct a social history of the village and speculate on alternate ways of dwelling, building, and preserving— reclaiming the archive, reinserting narrative, and reframing heritage through the folklore of Hauran.…”
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