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  1. 1

    On a Chen–Fliess approximation for diffusion functionals by Litterer, C, Oberhauser, H

    Published 2014
    “…This allows to revisit and generalize the classic stochastic Taylor expansion to arrive at a Chen–Fliess approximation for smooth, path dependent functionals of SDEs with a corresponding L2 -error estimate.…”
    Journal article
  2. 2

    Chen Wen Hsi: more than Chinese painting by Lee, Ju-Lyn

    Published 2022
    “…Chen is also representative of “Nanyang art” and overseas Chinese artists. …”
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    Thesis-Master by Coursework
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    An investigation of Chen Chong Swee’s practical colour application on selected paintings by Goh, Huiying

    Published 2020
    “…Formal and content analysis of Chen Chong Swee's paintings, writings and biography are conducted to provide social and cultural contexts behind the creation of these paintings. …”
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    Thesis-Master by Research
  5. 5

    苏伟贞《沉默之岛》的身体书写与现代性 = On embodied modernities in Su Wei-Chen’s island of silence by 陈文慧 Tan, Boon Hui

    Published 2014
    “…This thesis is an analysis on Su Wei-Chen’s novel Island of Silence (1994), with regards to the theme of embodied modernities. …”
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    Final Year Project (FYP)
  6. 6

    论包公形象在不同文本中的呈现方式 :以陈州粜米故事为例 = An investigation on the representations of Magistrate Bao in different operatic texts on the story of “selling rice at Chen Zhou” by 欧思敏 Au, Sze Mien

    Published 2010
    “…This paper investigates different representations of Magistrate Bao in different texts such as Yuan drama “Bao Dai Zhi Chen Zhou Tiao Mi”, Ming dynasty “Singing narrative on Bao Long Tu’s ‘Selling rice in Chen Zhou’” (Xin Kan Quan Xiang Shuo Chang Bao Long Tu Chen Zhou Tiao Mi Ji), Qing dynasty popular fiction “San Xia Wu Yi”, as well as folk operas “Chen Zhou Yuan” and “Bao Gong Gan Lu”.…”
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    Final Year Project (FYP)
  7. 7

    四面楚歌下的同志再现:李碧华和陈凯歌对《霸王别姬》的改写 = Representations of the besieged “Comrade” : Li Bihua's and Chen Kaige's adaptations of the Peking Opera “Farewell My Concubine” by 許维贤 Hee, Wai Siam

    Published 2013
    “…Still the “feminine narcissism” of Li Bihua’s original novel and the “male attachment” of Chen Kaige’s film manage to play a balancing act. …”
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    Journal Article
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