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    四面楚歌下的同志再现:李碧华和陈凯歌对《霸王别姬》的改写 = Representations of the besieged “Comrade” : Li Bihua's and Chen Kaige's adaptations of the Peking Opera “Farewell My Concubine” by 許维贤 Hee, Wai Siam

    Published 2013
    “…Still the “feminine narcissism” of Li Bihua’s original novel and the “male attachment” of Chen Kaige’s film manage to play a balancing act. …”
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    Journal Article
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