Disrupting Monocultural Tendencies through Multimodal Montage by Singha, Mrinalini

“…Tracing the aesthetic and political evolution of montage from its early 20th-century origins in Soviet cinema to its contemporary forms, the thesis outlines the transition from montage defined by collision and conflict to the soft, spatial, and interactive practices of figures such as Nam June Paik and Harun Farocki. It further investigates how `surface tension' and `unquiet objects' manifest within the multi-modal montage in the works of artists like Nalini Malani, Krzysztof Wodiczko, Shilpa Gupta and Nida Sinnokrot. …”
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