Topical and transdermal botanical formulations of the Chinese pharmacopoeia—a review by Gu, Jingyi, Lane, Majella E., Sil dos Santos, Bruno, Heinrich, Michael

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50 Years of quantum chromodynamics by Gross, Franz, Klempt, Eberhard, Brodsky, Stanley J., Buras, Andrzej J., Burkert, Volker D., Heinrich, Gudrun, Jakobs, Karl, Meyer, Curtis A., Orginos, Kostas, Strickland, Michael, Stachel, Johanna, Zanderighi, Giulia, Brambilla, Nora, Braun-Munzinger, Peter, Britzger, Daniel, Capstick, Simon, Cohen, Tom, Crede, Volker, Constantinou, Martha, Davies, Christine, Del Debbio, Luigi, Denig, Achim, DeTar, Carleton, Deur, Alexandre, Dokshitzer, Yuri, Dosch, Hans Günter, Dudek, Jozef, Dunford, Monica, Epelbaum, Evgeny, Escobedo, Miguel A., Fritzsch, Harald, Fukushima, Kenji, Gambino, Paolo, Gillberg, Dag, Gottlieb, Steven, Grafstrom, Per, Grazzini, Massimiliano, Grube, Boris, Guskov, Alexey, Iijima, Toru, Ji, Xiangdong, Karsch, Frithjof, Kluth, Stefan, Kogut, John B., Krauss, Frank, Kumano, Shunzo, Leinweber, Derek, Leutwyler, Heinrich, Li, Hai-Bo, Li, Yang, Malaescu, Bogdan, Mariotti, Chiara, Maris, Pieter, Marzani, Simone, Melnitchouk, Wally, Messchendorp, Johan, Meyer, Harvey, Mitchell, Ryan Edward, Mondal, Chandan, Nerling, Frank, Neubert, Sebastian, Pappagallo, Marco, Pastore, Saori, Peláez, José R., Puckett, Andrew, Qiu, Jianwei, Rabbertz, Klaus, Ramos, Alberto, Rossi, Patrizia, Rustamov, Anar, Schäfer, Andreas, Scherer, Stefan, Schindler, Matthias, Schramm, Steven, Shifman, Mikhail, Shuryak, Edward, Sjöstrand, Torbjörn, Sterman, George, Stewart, Iain W., Stroth, Joachim, Swanson, Eric, de Téramond, Guy F., Thoma, Ulrike, Vairo, Antonio, van Dyk, Danny, Vary, James, Virto, Javier, Vos, Marcel, Weiss, Christian, Wobisch, Markus, Wu, Sau Lan, Young, Christopher, Yuan, Feng, Zhao, Xingbo, Zhou, Xiaorong

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'(Un)richtige Aufnahme': Renaissance sculpture and the visual historiography of art history by Johnson, GA

“…Extract<br> ‘How should one photograph sculpture?’ asked Heinrich Wölfflin in the titles of three ground-breaking articles on the subject published in 1896–97 and 1915 (plate 1).1 Few art historians have seriously considered the question, not just in regard to photographing Italian Renaissance sculpture, which was Wölfflin's main concern in these publications, but works of art in general.2 Examining both how and why art works have been photographed and otherwise reproduced, however, can tell us a great deal about what one might call the ‘visual historiography’ of art history as a discipline. …”

Creative Data Literacy: A Constructionist Approach to Teaching Information Visualization by D'Ignazio, Catherine, Bhargava, Rahul

“…This journal itself has numerous examples that use visualization tools and techniques within the digital humanities as a tool for exploration [Roberts-Smith et al. 2013] [Hoyt, Ponto, and Roy 2014] [Forlini, Hinrichs, and Moynihan 2016]. This boom in attention has led large new populations of learners into the field. …”
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