Hazlitt and the critique of idolatry by Carver, D

“…I will also show that these very same political dynamics drove Hazlitt to embrace an alternative, “virtuous”, mode of idolatry, centered on the ambiguous figure of Napoleon Buonaparte. …”

Marta Czok PERMANENT COLLECTION by Scarso, Jacek Ludwig

“…The collection is divided into key thematic areas: we enter via the Prologue - History Revisited, then move through the rooms dedicated to the Eternal City, into political commentary via the Napoleon Complex and the Power Route; we are then immersed in the lived experience of conflict in Traces of War, leading to a playful commentary on contemporary art in But is it Art?…”
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