Showing 121 - 140 results of 8,369 for search '(peers OR (her OR (check OR (chen OR ((cheon OR (cohereent OR zcoherent)) OR heong)))))*', query time: 0.19s Refine Results
  1. 121

    Do the ‘big four’ orders of insects comprise evolutionarily significant higher taxa with coherent patterns of selection on protein-coding genes? by Février, PJ, Barraclough, T

    Published 2025
    “…We test the alternative hypothesis that some higher taxa are evolutionarily significant units with coherent patterns of selection on their constituent species. …”
    Journal article
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    Review of the research landscape of multi-criteria evaluation and bench- marking processes for many-objective optimisation methods: coherent taxonomy, challenges and recommended solution by Mohammed, R. T., Yaakob, R., Zaidan, A. A., Sharef, N. M., Abdullah, R. H., Zaidan, B. B., Dawood, K. A.

    Published 2020
    “…A review is conducted in this study to map the research landscape of multi-criteria evaluation and benchmarking processes for MaOO into a coherent taxonomy. Then contentious and challenging issues related to evaluation are highlighted, and the performance of optimization algorithms for MaOO is benchmarked. …”
    Article
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    论包公形象在不同文本中的呈现方式 :以陈州粜米故事为例 = An investigation on the representations of Magistrate Bao in different operatic texts on the story of “selling rice at Chen Zhou” by 欧思敏 Au, Sze Mien

    Published 2010
    “…This paper investigates different representations of Magistrate Bao in different texts such as Yuan drama “Bao Dai Zhi Chen Zhou Tiao Mi”, Ming dynasty “Singing narrative on Bao Long Tu’s ‘Selling rice in Chen Zhou’” (Xin Kan Quan Xiang Shuo Chang Bao Long Tu Chen Zhou Tiao Mi Ji), Qing dynasty popular fiction “San Xia Wu Yi”, as well as folk operas “Chen Zhou Yuan” and “Bao Gong Gan Lu”.…”
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    Final Year Project (FYP)
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    四面楚歌下的同志再现:李碧华和陈凯歌对《霸王别姬》的改写 = Representations of the besieged “Comrade” : Li Bihua's and Chen Kaige's adaptations of the Peking Opera “Farewell My Concubine” by 許维贤 Hee, Wai Siam

    Published 2013
    “…Still the “feminine narcissism” of Li Bihua’s original novel and the “male attachment” of Chen Kaige’s film manage to play a balancing act. …”
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    Journal Article
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