Drawing memories. by Chang, Jerly Wei Kiang.

“…DRAWING MEMORIES is a 3D animated short directed and animated by 4 team members, Chang Wei Kang, Thom, Chang Wei Kiang, Jerly, Yeo Bixia and Dionisius Kartalaksana. …”
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A gate of dragon's teeth : a decolonial approach to writing precolonial historical fiction in Singapore by Ng, Yi-Sheng

“…Beginning in the year 1025 with the conception of the divine prince Sang Nila Utama, it traces his life through the eyes of other mythical-historical characters, up till his founding of the kingdom of Singapura in 1299. …”
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Crafting the narrative of The Beast in The Woods by Tan, Benjamin Wee Jin

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Capping layer enabled controlled fragmentation of two-dimensional materials by cold drawing by Chen, Ming, Li, Dong, Hou, Yuxin, Gu, Mengxi, Zeng, Qingsheng, Ning, De, Li, Weimin, Zheng, Xue, Shao, Yan, Wang, Zhixun, Xia, Juan, Yang, Chunlei, Wei, Lei, Gao, Huajian

“…Here, supported by experimental investigation, finite element calculations, and theoretical modeling, we systematically study the effect of a capping layer on the controlled fragmentation of 2D materials deposited on polymer substrates during the cold drawing. The capping layer is found to prevent the premature fracture of the 2D thin films during elastic deformation of the substrate, when a specific requirement proposed by the theoretical model is satisfied. …”
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Is everybody Kung Fu fighting? Indian popular cinema and martial arts films by Clini, Clelia

“…Drawing upon Yvonne Tasker’s examination of the ‘anticolonial narrative’ embedded in Hong Kong martial arts films, the analysis discusses the incorporation of a martial arts style of combat within Indian popular films as a response to colonial and orientalist tropes of Asian effeminacy and softness and argues that martial arts allowed the 1970s Hindi action hero to articulate an alternative, anticolonial, version of Asian masculinity.…”
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Singapore premiere. by Ong, Shannon.

Subjects: “…DRNTU::Visual arts and music::Film::Criticism…”
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Enabling high performance n-type metal oxide semiconductors at low temperatures for thin film transistors by Tiwari, Nidhi, Nirmal, Amoolya, Kulkarni, Mohit Rameshchandra, John, Rohit Abraham, Mathews, Nripan

“…However, rapid advances in such technologies require the development of high-performance thin film transistors, which can be fabricated at low processing temperatures. …”
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Externally Tunable, Low Power Electrostatic Control of Cell Adhesion with Nanometric High‐k Dielectric Films by Leon, Victor J., Blanc, Baptiste, Sonnert, Sophia D., Varanasi, Kripa K.

“…Herein, cell adhesion is modulated by using nanometric high‐k dielectric films. Voltage is applied across the dielectric film, changing the film surface's zeta potential, ζ. …”
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Effects of woven fabric embedment on thin film composite membranes for osmotically driven membrane processes (ODMPs) by Teo, Shino Yu Qin

“…Among these, PRO is known for its renewable energy generation through osmotic gradients in recent years, with thin film composite membrane (TFC) playing a crucial role in its efficiency. …”
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Thin film nanocomposite forward osmosis membrane with exfoliated layered double hydroxide nanosheets embedded support for fouling-resistant microalgae dewatering by Vrasna, Dhita Karunia, Goh, Pei Sean, Ahmad, Nor Akalili, Gonzales, Ralph Rolly, Wong, Kar Chun, Lim, Jun Wei, Lau, Woei Jye, Othman, Mohd. Hafiz Dzarfan, Ismail, Ahmad Fauzi, Matsuyama, Hideto

“…Dewatering of Chlorella vulgaris by FO in active layer facing feed solution (AL-FS) and active layer facing draw solution (AL-DS) was evaluated with 2 M NaCl as draw solution. …”

Covert by Chia, Celeste Yi Ying

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Smelling out another cinema. by Sim, Jiaying.

“…This essay addresses the uncertainties raised towards an olfactory cinema by close analyses of two films which draw our focus to smells: Perfume: The Story of a Murderer (2006), directed by Tom Tykwer, and Polyester (1981), directed by John Waters to suggest that even without the physicality of smells, smell has never been a sensorial experience that was out of reach in cinema. …”
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The monsters under my bed : fears and phobias. by Chong, Cherlyn Peiwen.

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Experimental animation : alucinari by Loh, Li Wei

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WGS.111 Gender and Media Studies: Women and the Media, Fall 2008 by Surkan, K.J.

“…The course provides an introduction to feminist approaches to media studies by drawing from work in feminist film theory, journalism, cultural studies, gender and politics, and cyberfeminism.…”
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Reimagining traditional still art in an immersive and engaging form by Lim, Lai Ting

“…Clementine is meant to be an exploration of loss, embracing change and eventually coming into your own person. The film draws inspiration from various renowned artists of different time periods and art styles to create a visually rich and dynamic narrative experience that pays homage to the diversity and innovation of artistic expression throughout history.…”
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Lacuna by Tng, Gabriel Yue Hao

“…In essence, the story is a light-hearted animation that draws on themes normally found in buddy-cop films. …”
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Between City and Self: Reading Beirut in Mohamed Soueid’s Tango of Yearning by Anouti, Ghida

“…Soueid sees Tango of Yearning – the first in a trilogy titled Civil War – as an ‘obituary’ of his life prior to making this film. Hence, for him, the film is rooted in the past, yet I argue that it is a significant augury of Beirut itself as a palimpsest of urban memories sublimated by Soueid. …”
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Agamemnon, a performance history by Macintosh, F, Kenward, C

“…Created by the University of Oxford’s Archive of Performances of Greek and Roman Drama (the APGRD), the ebook draws on a unique collection of archive material and research at the APGRD and beyond; it uses images, film, bespoke interviews with creative practitioners and academics, and digital objects to tell the story of a play that has inspired countless interpretations onstage and onscreen, in dance, drama, and opera, across the globe from antiquity to the present day.…”

60X3 by Wong, Chun Sing

“…60X3 is a visualisation of an informal trilogy by Hong Kong film director, Wong Kar Wai. The project draws on visual language with a focus on using information design techniques to interpret and highlight the underlying connections between the loosely linked films. …”
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