CITRA ANTIKOLONIAL DALAM FILM AVATAR (2009): SEBUAH TINJAUAN POSKOLONIAL por Eggy F Andalas

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The art of Avatar : James Cameron's epic adventure / por Fitzpatrick, Lisa, author

‘Crows’ vs. ‘Avatar,’ or: 3D vs. Total-Dimension Immersion por Martins José Manuel

“…Through an analysis of crucial aspects in Avatar (James Cameron, 2009) and the recent Cave of Forgotten Dreams (Werner Herzog, 2010), both dealing with historical and ontological deepening processes of ‘going inside,’ we shall try to show how the formal and technically advanced component of those 3D-depth films impairs, on the contrary, their apparent conceptual purpose on the level of contents, and we will assume, drawing on Merleau-Ponty and Deleuze, that this technological mistake is due to a lack of recognition of the nature of perception and sensation in relation to space and human experience.…”
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Human-Alien Encounters in Science Fiction: A Postcolonial Perspective por Bökös Borbála

“…Such stories would thus include typical invasion narratives, as in the case of the three science fiction films I will discuss in the present paper: the Invasion of the Body Snatchers (Don Siegel, 1956; Philip Kaufman, 1978; Abel Ferrara, 1993), The Host (Andrew Niccol, 2013), and Avatar (James Cameron, 2009). …”
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O "soft power" cinematográfico e o colonialismo em "Lagaan", "Princesa Mononoke" e "Avatar" por Cristiano André Hoppe Navarro, Hélio José Santos Maia

“…A partir daí, analisam-se os roteiros de três filmes identificados com a temática do colonialismo, quais sejam o indiano "Lagaan" (Gowariker, 2001), o japonês "Princesa Mononoke" (Miyazaki, 1997) e o estadunidense "Avatar" (Cameron, 2009). …”
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The Potential of Virtual Production Based on the Special Effects of Films por Wan Xinran

“…Since the large use of virtual shooting technology in the movie Avatar in 2009 and the use of LED review stage in The Mandalorian in 2019, the film and television industry has paid more and more attention to virtual production in film special effects, and great changes have taken in the mode of production. …”
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3-D films : birth of an artificial world and the new reality. por Teng, Angela Li Rong.

“…Siegfried Kracauer states that the “human consciousness is increasingly led away from totality, reality, and immediate experience, and towards the pseudo-reality of a form of distracted mass culture” and the condition of this phenomenon lies within the purposeful structure of 3-D movies (Aitkin 157). By using films such as Audioscopiks (1935), The Polar Express (2004) and Avatar (2009), I will look into the condition of the human consciousness within the mass culture divide, exploring on the understanding of the concept of “Distraction” that influences and shapes the mass culture phenomenon that is present in these films. …”
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Audience reception in marketing and publicity in Hollywood's contemporary cinema for tent-pole films from 2008-2012 por Afandi, Haidar

“…The case studies are Avatar (2009), The Twilight Saga (2008-2012) and John Carter (2012).…”
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Livet ude af balance por Kim Toft Hansen

“… The article analyses Ernest Callenbach's novel Ecotopia (1975) and James Cameron's film Avatar (2009) as two related narratives under the common heading of ecotopia with focus on the journey as a means of insight. …”
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Multimodal cohesion in perfume advertisement por Yevheniia Nikiforova, Olena Popivniak, Elizaveta Galitska

“…H. (2011). Multimodal Film. Analysis: How Films Mean. London, New York: Routledge, 338 p. …”
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Perfume advertisements in the aspect of multimodal cohesion por Yevhenia Nikiforova, Olena Popivniak, Elizaveta Galitska

“… • Beteman,, & Schmidt, K.H. (2012). Multimodal Film Analysis: How Films Mean. London, New York : Routledge. 338 p. …”
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Template cohesion in perfume advertisements por Kateryna Karpova, Olena Popivniak, Elizaveta Galitska

“…Bateman J., Schmidt K.H. (2012). Multimodal Film Analysis: How Films Mean. London, New York: Routledge, 338 p [in English]. …”
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