Identity and sustainability of 'Chuangzuo' music movements as observed through case studies on 'Gongzuofang' music groups in Penang, Malaysia by Chow, Ow Wei

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Effects of culture on musical pitch perception by Wong, Patrick C. M., Ciocca, Valter, Chan, Alice Hiu Dan, Ha, Louisa Y. Y., Tan, Li-Hai, Peretz, Isabelle

“…Because languages differ in their usage of elements (e.g., pitch) that are also essential for music, a unique opportunity for examining such language-to-music associations comes from a cross-cultural (linguistic) comparison of congenital amusia, a neurogenetic disorder affecting the music (pitch and rhythm) processing of about 5% of the Western population. …”
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Unpacking the Form and Structure of Jaya Baya Music Composition in JES Gamelan Fusion by I Putu Riangga Budi Pramana, Hendra Santosa, I Saptono, I Gede Yudarta, I Wayan Sutirtha

“…It turns out that in her composition, Windha is still thick with Balinese karawitan practices, where various elements of music, the practice of music playing techniques, ornamentation, and even the structure of the music are still Balinese style. …”
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Functions and dysfunctions of Ta’ziye music; Case study of Xānsār Ta’ziye in Qudjān by M. Abbasi, S.H. Meisami

“…The findings show that all functions of music mentioned by Merriam applied to Ta’ziye. The findings further suggest that the use of music by an individual or group may act contrary to the actual musical functions of that activity. …”
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Structure and content of competitive group compositions in sports aerobics by Tetiana Moshenska, Inna Bodrenkova

“…Results: the content of competitive compositions and the allocated indicators are studied which defined it. Conclusions: the basic structural elements, which characterize competitive compositions, are allocated. …”
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Social and cultural perspectives of bel canto tradition among urban Chinese communities in Peninsular Malaysia by Phang, Kong Chien

“…This sustenance of bel canto habitus in Chinese communities are continually enacted through cultural signifiers of musical artifacts, musical venues and musical events of which traditional ideology of Chinese-ness is largely projected and ethnic "otherness" is basically uninvolved. …”
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Sociocultural Functions of Choral Art in Subcarpathian Ruthenia in the 1920s–1930s by Тетяна Росул

“…However, the sociocultural functions of choral music varied in intensity. The choir became a kind of sociocultural environment that served as a factor in attracting the population to spiritual and aesthetic values, fostering the creative realisation of individual moral potential, and representing the entire set of cultural activities of ethnic groups. …”
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The art of tarannum in quran recitation case study: surah ad-dhuha / Yazrin Azrina Yunus by Yunus, Yazrin Azrina

“…Although there are elements of music found in the analysis, the Quran recitation strictly cannot be called music.…”
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Efficacy and Mechanism of Action of Wuyintiaoshen Therapy in Patients with Post-stroke Insomnia by Chenchen GUO, Haifeng LU, He ZHUANG, Li LI, Congan WANG, Yi DING

“…Methods Post-stroke insomnia inpatients (n=90) were selected from Rehabilitation Department, the Second Affiliated Hospital of Shandong University of Traditional Chinese Medicine from January 2019 to June 2020, and equally randomized into an experimental group and a control group. Besides usual rehabilitation training and basic medical treatment, experimental group received Wuyintiaoshen therapy〔listening to the music symbolizing the five elements (metal, wood, water, fire, and earth) in Chinese philosophy〕 plus acupuncture treatment with Baihui, Shenting, and Yintang acupoints, and the control group received oral alprazolam before sleeping. …”
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RESEARCH OF THE RHYTHMICAL ABILITIES OF PUPILS OF PRIMARY SCHOOL AGE by Marina Petrova, Emil Videv

“…The aim of this study was to improve the rhythmical abilities of pupils at primary schools using exercises from basic gymnastics and folklore dances with musical accompaniment. …”
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Vladan Radovanović's "syntheѕic art" by Janković Ivana

“…Single-media arts include music, poetry and painting, whereas the remaining arts belong to the multi-media group. …”
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Hildegard as a Mystic and her Place in the Christian Thought (PhD. Dissertation) by Halil Temiztürk

“…Mysticism, visions, feminism, music, herbal medicine…Hildegard of Bingen (1098-1179) have been identified with these notions. …”
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Hildegard as a Mystic and her Place in the Christian Thought (PhD. Dissertation) by Halil Temiztürk

“…Mysticism, visions, feminism, music, herbal medicine…Hildegard of Bingen (1098-1179) have been identified with these notions. …”
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Utilizing Children’s Song Videos To Create A Religious Character In Children With Intellectual Disabilities by Billa Krisbiyanti, Udi Utomo

“…The three songs have elements of similar musicality that are easy to be learned and mastered by students in the children's age group. …”
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Metacognition and crossmodal correspondences between auditory attributes and saltiness in a large sample study by Wang, QJ, Keller, S, Spence, C

Harmonization of the Activity of the Left and Right Cerebral Hemispheres - an Important Component of the Spiritual and Mental Health of Individual and Humanity by Tamara Tyurina, Sofiya Stavkova

“…Mandeleev worked continuously on the systematization of chemical elements, and only after that he "saw" his periodic system of elements in his dream. …”
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A Methodological Critique of “The Imagist Historian or Formalist Poet” by mehrdad zarei

“…If we define the form as follows: coherence and harmony between the elements that make up the form, including language, image, music and the meaning of the work, then there is a great distance between what the author of this book presented under the title of formalist criticism and the principles of formalist criticism. …”
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“Searching for order at all levels”. Antonio Lima-de-Faria (July 4, 1921 – December 27, 2023) by Stefano Serafini, Tatyana S. Turova

“…It turns out that both types of minds speak the same language. There is a basic denominator that unites the human endeavor.” …”
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The Study of the Boutigha of Poetry Parts of Ibn Yamin Farimoodi by amin banitalebi, esmael sadeghi

“…Finally, Ibn Yamin uses the phonological and musical proportions of words especially alliteration to increase the musical aspect of his speech, creates a meaningful relationship between such phonetic proportions with the desired content.…”
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