David Lynch’s Influence on David Foster Wallace’s Infinite Jest by Paolo Pitari

“…Finally, the analysis takes into consideration Lynch's films produced prior or during the writing of Infinite Jest, and exclusively those Wallace expressed direct admiration for, namely: Eraserhead (1977), The Elephant Man (1980), Blue Velvet (1986), and Lost Highway (1997).…”
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Back in the Days: dal Nostalgia Film alla Nostalgic Television Series = Back in the Days: from Nostalgia Film to Nostalgic Television Series by Luca Bandirali

“…In this trend there were also movies which connect past and present (Body Heat, Blue Velvet, Something Wild), showing “a collective unconscious in the process of trying to identify its own present at the same time that they illuminate the failure of this attempt, which seems to reduce itself to the recombination of various stereotypes of the past”. …”
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Alan Splet’s sound design for David Lynch from the perspective of film horror by Fabiano Pereira de Souza, Laura Loguercio Cánepa, Rogério Ferraraz

“…They worked together on the short film The Grandmother (1970) and the feature films Eraserhead (1977), The Elephant Man (1980), Dune (1984) and Blue Velvet (1986). …”
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O sound design de Alan Splet para David Lynch sob a perspectiva do horror fílmico by Fabiano Pereira de Souza, Laura Loguercio Cánepa, Rogério Ferraraz

“…Eles trabalharam juntos no curta-metragem The grandmother (1970) e nos longas-metragens Eraserhead (1977), O homem elefante (The elephant man, 1980), Duna (Dune, 1984) e Veludo azul (Blue velvet, 1986). A forte influência surrealista na filmografia de Lynch estimulou soluções de Splet que se assemelham ao trabalho de som do gênero cinematográfico do horror, o que se reconhece até na recente temporada de 2017 da série de TV Twin Peaks, com direção e sound design do próprio cineasta. …”
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