Anti-linealidad temporal y la realidad de la ficción : el vanguardismo de la revista Crononauta (1964) by David AJ Murrieta Flores

“…Through collage, understood as a mechanism of extraction and appropriation of contexts, and the use of a literary method authored by French writer Raymond Roussel, which produces novelty from repetition and doubles, Crononauta’s avant-gardism poses the disolution of the limits between present, past, and future in the possible transformative continuity between reality and fiction.The purpose of this article is to analyze how the aesthetic elements are intertwined with the political and social project of the magazine, a chaotic and ambiguous proposal with references ranging from Surrealism to the Utopian Socialism of the 19th century. …”
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The Burden of the Past: Globalized Crime, Trauma, and Patriarchal Violence in Horacio Castellanos Moya’s <i>Moronga</i> (2018) by Julia González Calderón

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Reading Practices of Students of the Metropolitan Metropolis: “Amateurs” and “Pragmatists” by E. V. Kargapolova, V. V. Diakova, M. A. Simonenko, Ju. A. Davydova

“…Two types of students’ attitudes to works of fiction are revealed: pragmatic and value-reflective. …”
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In search of Ellis Bell: Emma Tennant’s Heathcliff’s Tale by Bożena Kucała

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A Matter of Extreme Indelicacy: Neo-Victorian Critical Memory in <i>Kind Hearts and Coronets</i> (1949) by Eduardo Valls Oyarzun

“…The film, however, engages with several issues the recent phenomena of neo-Victorian fiction and film consistently address. These are the relationship between the past and the present (as well as the capital role memory plays in it), nostalgia as the underlining desire for the new recasting of Victoriana, the reassessment of history through marginal and/or alternative identities, as well as the blatantly post-modern continuous deferral of meaning. …”
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All the Better to Eat You with: Sexuality, Violence, and Disgust in ‘Little Red Riding Hood’ Adaptations by Nicola Welsh-Burke

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Remediating Joyce’s Techno-Poetics: Mark Amerika, Kenneth Goldsmith, Mark Z. Danielewski by Vichnar David

“…Danielewski, three contemporary American writers and artists, working a hundred years after the first of Joyce’s crucial four “shocks of the new” shook the foundations of fiction. In doing so, the paper attempts to bridge the divide between the historical avant-garde and the neo-avant-garde as defined by Renato Poggioli and Peter Bürger, and regarded disparagingly by critics like Robert Hughes. …”
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The Biography and Bibliography of Ivan Antonovich Efremov Expanded with New Materials [Review: Efremov I.A. Women in My Life: Novels; Letters. Moscow, Izd. Yukhnevskaya S.A., 2022.... by D. E. Martynov, Yu. A. Martynova

“…The short novels contain a wealth of personal details, thus offering a new and deeper perspective on the early years of the rising geologist and social thinker. In terms of fiction, they continue the 1940s series “Tales of the Extraordinary” and conform to the genre characteristics of romantic storytelling, as well as colonial and Western novels. …”
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Jeanette Winterson’s The Stone Gods: A Postmodern Warning by Zekiye Antakyalıoğlu

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Remy de Gourmont and the crisis of erotic idealism by Pruett, R

“…Tracing a discourse of ‘erotic idealism’ through the chronological evolution of Gourmont’s novels and theatre, it also incorporates essays as well as select short fiction and poetry.</p> <p>Through close readings of fiction and drama, I examine how Gourmont pursued a double-sided question: how does erotic desire shape our experience in the world of phenomenal appearances, and how is the experience of erotic desire shaped in turn? …”

Syntactic Relations Reflected by Word Order in "The Catcher in the Rye" by J. D. Salinger and "Fates and Furies" by L. Groff by R. R. Ganieva

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“WHEN WILL I BE BLOWN UP?” – WILLIAM FAULKNER’S WRITING WARFARE by Anca PEIU

“…The purpose of my essay is to prove that William Faulkner’s fiction evoking historical warfare can still help us readers out of our mortal fear. …”
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After “I Do”: Turkish Harlequin Readers Re-Imagine the Happy Ending by Heather Schell

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Occasional words in the modern Russian language of the turn of the centuries: semantic and word-formation aspect by Z. I. Godizova, Shi Yannin

“…The analysis allowed to define styles where occasional words are most commonly encountered and to distinguish between fiction and journalistic occasional words. The result of the study identified the main problematic issues related to occasional words (their features, reasons of occurrence, a variety of methods classifications of occasional words formation, the differentiation of potential words and occasional words, differences between literary and newspaper occasional words, etc.). …”
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The Deictic Mode And Its Role in Modeling the Strategy of Text Interpretation

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КОГНІТИВНА АНТРОПОЛОГІЯ ЯК АКТУАЛЬНА ЛІТЕРАТУРОЗНАВЧА МЕТОДОЛОГІЯ / COGNITIVE ANTHROPOLOGY AS AN ACTUAL LITERARY METHODOLOGY... by Софія СІРЕНКО

“…In the article own concept of fictional world structure is represented. Key words: cognitive anthropology, Fictional worlds theory, possible worlds, text, discourse.…”
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Women's writing in exile by Davidson, E

Tropical Liminal: Urban Vampires & Other Blood-Sucking Monstrosities by Anita Lundberg, Lennie Geerlings

“…Vampires and other blood-sucking monstrous beings constitute some of the most famous myths, legends and stories that continue to haunt contemporary societies. This special issue examines the presence of these beings within cities and their rural surrounds. …”
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Un narrador sobre el caballo de la calesita by Graciela Villanueva

“…With the conviction that the opening and closing lines of a text, especially in literary fiction, are privileged places of intertextual flow and exchange between words and world, this paper analyses the forms of continuity and the expression of origin on the threshold of Saer’s narrative fiction. …”
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La finzione della finzione. Il ruolo del Chisciotte nei labirinti della metaletteratura borgesiana by Stefano Cristante

“…In the few pages of the story a literary construction takes shape that does not admit a solution of continuity between real and imaginary, fiction and truth, authors and characters, and which deserves to be investigated for its sociological and not just literary repercussions.…”
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