Showing 1 - 17 results of 17 for search 'Czech nobility', query time: 0.09s Refine Results
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    The lower nobility in the Kingdom of Bohemia in the early 15th century, based on the example of Jan Sádlo of Smilkov by Silvie Vančurova

    Published 2016-01-01
    “…During the Hussite revolution, the lower nobility became an important, complex and powerful political force and exerted considerable influence over the Czech Kingdom. …”
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    Alcohol and the Accounts of the Domain: the Czech Lands until the Hussite Revolution by Jan Škvrňák, Michael Škvrňák

    Published 2023-11-01
    “…The paper focuses on the relationship of Czech and Moravian nobility to alcohol according to financial sources until the beginning of the Hussite Revolution. …”
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    František Palacký’s (Musical) Life with the “Aristocrats”: Private and Semi-Private Musical Sociability in Prague during the First Half of the Nineteenth Century by Anja Bunzel

    Published 2023-06-01
    “…Drawing on private and public sources surrounding Countess Elise von Schlik (1792–1855) and František Palacký (1798–1876), this article explores music-cultural connections between the nobility and intellectually engaged middle class in Prague during the 1830s and 1840s. …”
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    Methodological Issues Concerning the Study of Armigerous Burghers: The Example of Brno in the Network of the Lands of the Crown of Bohemia in the Late Middle Ages and Early Modern... by Ludmila Sulitková

    Published 2023-12-01
    “…Using the example of Brno, one of the leading royal cities in Moravia (as one of the lands of the Czech Crown), the author outlines methodological issues related to the study of the so-called heraldic burghers. …”
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    N. V. Gogol’s Treatment in Ostend and Gräfenberg by E. I. Manyanina

    Published 2018-01-01
    “…Special attention is paid to the historical and cultural context of the journeys of the Russian nobility in the 19th century to Western European resort towns. …”
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    Die von Questenbergschen Musikern aufgeführten Oratorien in Mähren in der 1. Hälfte des 18. Jahrhunderts by Jana Perutková

    Published 2014-06-01
    “…It is somewhat remarkable that count Questenberg assigned the translations of librettos, mainly of sepolcri, into Czech. The count respected the fact that Jaroměřice was mostly Czech speaking town; he made an effort to mediate some of the dramatic music productions to his villeins in the language they commonly used. …”
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    Three Sketches on Nineteenth-Century Multicultural Trieste and Its Music: The Renewal of Social Classes, the Whirlpool of National Awakening by Ivano Cavallini

    Published 2023-01-01
    “…With the help of Czech intellectuals and musicians, during the 1860s the native Slovenes established a group of societies in which Romantic music and national anthems or Lieder were played. …”
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    The “Slovak Buddenbrooks” by Roman Holec

    Published 2023-07-01
    “… Rich banks and rich businesspeople were and still are the showcase of every nation, and the titular business-oriented families combined doing business with the tools of economic nationalism, as well as their love for art with the support of Slovak and Czech painters. The behaviour of the Slovak business elites of rural origin and from smaller towns was influenced by various stimuli (the example of contemporary cities, the way of life and behavioural strategy of the nobility, foreign influence, and the wish to obtain noble status), and they obtained a civic character only gradually. …”
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    K výzkumu výměny hudebnin mezi hrabětem z Questenbergu a jeho aristokratickými přáteli by Jana Perutková

    Published 2014-12-01
    “…Productions of numerous musical dramas, especially by František Antonín Míča in Brno and Olomouc, were also very significant for the dissemination of music staged by Count Questenberg. -- Some Míča's works were owned by Johann Matthias Thurn and Vallsassiny, the Olomouc canon and provost of the Brno chapter, and are stored in the inventory of Collalt's Brtnice, which also contains compositions by Questenberg's second home composer, Carl Müller. -- Questenberg sources reveal rather little of his specific contacts and exchanges of sheet music with the nobles who had their seats in Moravia. The same applies to Czech and Moravian members of the ecclesiastic aristocracy. …”
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