Search Results - Feels (song) :: UTM Library Massive Scholar Tracking

61

Vladimír Helfert ve Státním ústavu pro lidovou píseň by Jarmila Procházková

Published 2016-12-01

“…This was also the source of his long-term interest in the situation in the field and the records involving all song genres. Helfert brought a critical approach towards sources and a feel for their systematic, scholarly treatment to his work at the State Institute for Folk Song. …”

Get full text

Article

62

JEHOVAH’S WITNESSES’ ADOPTION OF DIGITALLY-MEDIATED SERVICES DURING COVID-19 PANDEMIC by Jose Torres-Pruñonosa, Miquel-Angel Plaza-Navas, Silas S. Brown

Published 2022-12-01

“…The main conclusions are that digital meetings did not diminish their feelings of relationship with God or their intellectual learning, but performed less well than in-person meetings with regard to songs and social interaction. …”

Get full text

Article

63

南宋《胡笳十八拍》集句诗之书写及其历史意义 = Adaptations of Southern song's poem 'Hujia Shibapai' and their historical significance by 衣若芬 I, Lo-Fen

Published 2015

“…There were speculations that three poems should be attributed to Cai Yan,namely two versions of 'Beifen Shi' and 'Hujia Shibapai'.As the content and diction of 'Hujia Shibapai' were very close to Cai Yan's sentiments and thoughts,many have argued that she was the real author.Subsequently,there were more poets adopting the same title 'Hujia Shibapai',such as Liu Shang in the Tang Dynasty,Wang Anshi,Li Gang and Wen Tianxiang in the Song Dynasty.The 'Jiju Poem' written by Wang Anshi,also known as the 'lines collection poems',are 'fast paced','good in antithetic parallelism' and 'better than the original'.Wang's writing style of lines collection poems is identified as 'Jinggong Ti',and his version of 'Hujia Shibapai' is considered one of his most remarkable works and is known for its uniqueness.Li Gang's version of 'Hujia Shibapai' was not created to highlight the misery in Cai Yan's poem,but to express his own feelings instead.In terms of artistic achievement,Li's version of 'Hujia Shibapai' did not have a clear narrative structure.The images of the whole poem were highly concentrated,coupled with a lot of repetitive obscure literary allusions.Therefore,his version of 'Hujia Shibapai' is not as fluent as that of Cai Yan,nor as natural as that of Wang An Shi.Comparatively speaking,Wen Tian Xiang's version of 'Hujia Qu' was more musically inclined than Wang An Shi's and Li Gang's versions.Its one hundred and sixty lines were all quoted from Du Fu's poems.'…”

Get full text
Get full text
Get full text

Journal Article

64

'Disaster upon Disaster Inflicted on the Dutch'. Singing about Disasters in the Netherlands, 1600-1900 by Lotte Jensen

Published 2019-06-01

“…Even songs about disasters abroad were primarily used to strengthen communal feelings at the national level. …”

Get full text

Article

65

O roli polskiej muzyki w kształtowaniu tożsamości narodowej by Joanna Ewa Zaniewicz

Published 2014-12-01

“…The middle part of a historical character presents crucial research assumptions, along with all the transformations that have taken place over the years, and have been influencing our comprehending of national songs and strengthening the feeling of national identity. …”

Get full text

Article

66

ANALYSES AND CONSERVATION STRATEGIES OF INDIGENOUS ILOKANO FOLKSONGS IN NORTHWESTERN CAGAYAN, PHILIPPINES by Allan O. de la Cruz

Published 2019-04-01

“…The study collected and analyzed the content, theme, and virtues nested in the indigenous Ilocano songs in the Northwestern part of Cagayan province, Philippines. …”

Get full text

Article

67

Critical Analysis of Selected Issues of Sufism in the Light of Tafsīr Rūḥ al Ma’ānī by Wali Zaman, Muhammad Fakhar Uddin, Irfan Ullah Khan

Published 2021-12-01

“…This paper the Prophethood in Animals, affirmation of the rationality, consciousness and soul in inanimate objects, disagreement in the feeling of being in pain and owe feelings in inanimate objects, the legitimacy of dance and songs are presented. …”

Get full text

Article

68