Showing 1 - 11 results of 11 for search 'Frantz (film)', query time: 0.18s Refine Results
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    Bosquejos (docu)ficcionales del cuerpo racializado by Carlos Aguirre Aguirre

    Published 2020-12-01
    Subjects: “…Sankofa Film and Video Collective…”
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    Article
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    Facing Fanon: Examining Neocolonial Aspects in Grand Theft Auto V through the Prism of the Machinima Film Finding Fanon II by Steffen Krueger

    Published 2018-02-01
    “…In this article, I examine the Machinima film Finding Fanon II, by London-based artists Larry Achiampong and David Blandy, for what it can tell us about the relationship between video gaming and the postcolonial. …”
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    Article
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    Review Concerning Violence. Directed by Göran Olsson. Produced by Final Cut for Real, Helsinki Filmi Oy, Louverture Films. 2014 by Murrey, A

    Published 2015
    “…Göran Olsson’s filmic account of what is perhaps Frantz Fanon’s (1961) most famous chapter in The Wretched of the Earth, “Concerning Violence,” opens as a soldier, from his secure vantage point in a hovering helicopter, shoots a horned bull as it races across an open field. …”
    Journal article
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    Black Cinematic Poethics by William Brown

    Published 2023-10-01
    “…Drawing upon the work of various critical race theorists, including Frantz Fanon, Kevin Quashie, Hortense J. Spillers, Calvin L. …”
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    Article
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    Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994) by Emilie Herbert

    Published 2018-12-01
    “…Her first feature film, Welcome II the Terrordome (1994), specifically grapples with themes of violence, memory, reincarnation and embodiment. …”
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    Kolonialismus aus der Sicht des linken Ufers: Négritude, nationale Kultur und humanistische Vision in Auch Statuen sterben von Alain Resnais und Chris Marker by Vrääth Öhner

    Published 2006-12-01
    “…Given that Statues Also Die is a con- temporary of Frantz Fanon’s Black Skin, White Masks as well as of the debate about Négritude carried on by the writers and intellectuals of the Left Bank, this short documentary film is up for re-evaluation: especially so, if one considers the unique position the film takes on the coincidence of decolonisation and class conflict which dominated the anti-colonial discourse of the left at that time.…”
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    Article
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