Where Does the Gileadverse Go?: Adaptation and Transmediality in Margaret Atwood’s The Handmaid’s Tale by Nicolangelo Becce

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When German Series Go Global by Krauß, Florian

“…What is it that makes such ready-made TV fiction go transnational, according to the involved practitioners and in this specific case? …”
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Inter/Multimedial Constructions of Islam in Post-9/11 TV Series: The West Wing and 24 by Brigitte Georgi-Findlay

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Extension du champ télécinématographique de la science-fiction. The Mandalorian (Disney+) by Hannedouche Cédric

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Translating Gender Stereotypes: An Overview on Global Telefiction by María Pérez L. de Heredia

“…The inventory is made up of a number of TV series getting a good mark for the Bechdel test, which (seemingly) challenge old stereotypes in order to build up a new image of woman. …”
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The X-Files, une série qui s’amuse parodiquement à tourner en rond by Benjamin Campion

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A study of cross-cultural communication strategies of American TV series in China from the perspective of encoding and decoding —illustrated by the example of Modern Family by Lin Weiqi

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“To boldly go where no series has gone before”. <i>Star Trek - The Original Series</i> in Italia: il linguaggio della tecno-scienza, il doppiaggio, il fandom by Giulia Iannuzzi

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Serie transmedia Go!azen. Educación en valores y tratamiento de la diversidad desde una perspectiva educomunicativa by Leire Junguitu-Angulo, Sara Osuna-Acedo

“… Estudio de la serie transmedia Go!azen analizando, desde una perspectiva educomunicativa, la educación en valores y tratamiento de la diversidad que en ella se dan. …”
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L’important n’est pas la destination, mais les seuils que l’on franchit. L’exemple des mondes possibles dans Fringe by Elaine Després

“…It is this notion and its use in science fiction series that this article explores. All TV series serialize the thresholds of fiction, since the spectator enters and leaves the fictional universe each week to go back to his empirical world, but science-fiction series stand out in that they thematize and formalize them, using among other devices « mises en abyme ». …”
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TV Viewing by Children During Times of Conflict by Millie Ferrer

“…Children in particular can easily misinterpret what is going on, thereby increasing their sense of fear. …”
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Where Do We Go From Here?: A Roundtable Discussion of Buffy+ Studies and Whether, How, or Why to Forge a Path Forward by Halfyard, Janet K., Jencson, Linda, Mukherjea, Ananya, Rocha, James, Tyner-Mullings, Alia

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Chinese Fans’ Patriotism Creating Quandary in the Digital Media Era by Shiyu Zheng

“…In a recent event regarding a geographic map controversy spawned by the TV series of “Go Go Squid!” many netizens became fan patriots and activists for territorial integrity. …”
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"We have to go back!": Watching (over) the Island by Claire Cornillon, Sarah Hatchuel

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« The show must go on » ou comment ralentir la chute by Laure Depretto

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« We have to go back! » : (re)garder l’île by Claire Cornillon, Sarah Hatchuel

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Going Native: Long-Running Television Serials in the UK by Douglas Chalmers, Hugh O'Donell

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Television and the transnational memory of undemocratic pasts: a comparison between Spain and the Czech Republic by Tiziana D’Amico

“…From a transnational point of view, the two TV series demonstrate the presence of at least one common narrative mode of undemocratic pasts, which goes beyond specific national features and characteristics. …”
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The multifaceted lexis of Kerstner’s Gruntovčani by Josip Lasić, Željka Macan, Marina Marinković

“…This paper analyses the lexis of the cult Croatian TV series Gruntovčani, created by Mladen Kerstner, based on the scripts of the first five episodes: Božja vola (The Will of God Will), Jelen (Deer), Babica su nakanili hmreti (Granny Has Decided to Die), Zlatna jajca (Golden Eggs), and Ovce idu (There Go the Sheep). …”
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“You can(’t) let go now”: Mystery boxes, quantum readings and very bright lights in Lost by Florent Favard

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