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  1. 61

    Quest in James Dashner’s The Maze Runner Trilogy by Ali Akbar Zamani, Farideh Pourgiv, Mahsa Hashemi

    Published 2021-03-01
    “…Myths, as part of human's life since ancient times, continue to be depicted in novels, movies, and TV series with the advent of technology. The dystopian theme much favored in the book market receiving international attention and appreciation is present in a large number of novels for the adult and the adolescent. …”
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  2. 62

    Resisting to Game of Thrones: a fannish agonism by Thiago Ianatoni Camargo, André Luiz Maranhão de Souza-Leão, Bruno Melo Moura

    Published 2021-07-01
    “…Design/methodology/approach – The authors adopted the Foucault's genealogy of power as a method, analyzing the comments posted on the Westeros.Org website, the main discussion forum of fans of A Song of Ice and Fire (ASoIaF) book series and Game of Thrones (GoT) TV series. Findings – The findings reveal ways of resistance in relation to the adaptation of the media text permeated by an entertainment dispositif, which considers the adaptation legitimate, and a fannish dispositif, which criticizes the way this adaptation was made. …”
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  3. 63

    Analysis of the Narratives with Characters That Make Ethnic Diversity Visible—Miraculous: Tales of Ladybug & Cat Noir by Miriam E. Aguasanta-Regalado, Ángel San Martín Alonso, Isabel M. Gallardo-Fernández

    Published 2023-04-01
    “…This study follows the line of different authors who examined the visibility of ethnic diversity in children’s television series and the psychoeducational implications of these media narratives for children. …”
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  4. 64

    FANS’ (ESTH)ET(H)ICS ELABORATION: POACHING AS TRUE LOVE PRACTICE by Thiago Ianatoni Camargo, André Luiz Maranhão de Souza-Leão, Bruno Melo Moura

    Published 2022-03-01
    “…In order to do so, the main fan community of the TV series “Game of Thrones” (GoT), a major media phenomenon, was analyzed. …”
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  5. 65

    (De)instrumentalization of smoking in modern visual arts on the example of the rebel archetype by Tešanović Nataša

    Published 2022-01-01
    “…In that context, through the historical presentation of the use of the rebel archetype in visual culture, mainly in movies and TV series, that is, through a descriptive-analytical approach to selected figures of smokers-rebels, within this research we will consider the decades-long symbiosis of the tobacco industry and marketing strategies of storytelling, as well as subversive artistic practices that oppose them. …”
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  6. 66

    Subtitling words or omitting worlds? A metafunctionally-oriented analysisALLY-ORIENTED ANALYSIS by Rafael Matielo, Maria Lúcia Barbosa de Vasconcellos, Elaine Espindola Baldissera

    Published 2015-09-01
    “…Abstract: This article reports on the phenomenon of omission in the subtitles of the TV series Heroes from an Audiovisual Translation/Systemic Functional Linguistics (AVT/SFL) standpoint. …”
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  7. 67

    Dissident “street art” resisting neo-Soviet discourse: the“Voina” and “Pussy Riot” groups by Gabriella Elina Imposti

    Published 2016-01-01
    “…This and other actions were filmed and posted on YouTube and other social networks, immediately going viral. The same M.O. was adopted in the actions of  the group “Pussy Riot”, and in Ukraine by “Femen”.While more traditional media such as TV and radio are government monopolies, access to internet and social media is still free and provides a powerful means for these dissident groups to publicize their performances against the restoration of neo-Soviet ideology and to assert their non-conformist identity.…”
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  8. 68

    Telenovelas e interpretações do Brasil Soap operas and interpretations of Brazil by Esther Hamburger

    Published 2011-01-01
    “…A complex web of relationships involves the authoritarian military agenda (1964-1984); advertisers agenda; and left-wing screenwriters, actors and directors coming from cinema and theater. Filmed as they go on air, soap operas captured and expressed at least three different interpretations of a country undergoing rapid structural changes. …”
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  9. 69

    Elaboração (est)ética de fãs: Poaching como prática de verdadeiro amor by Thiago Ianatoni Camargo, André Luiz Maranhão de Souza-Leão, Bruno Melo Moura

    Published 2021-12-01
    “…Para tal, analisamos a principal comunidade de fãs da série de TV Game of Thrones (GoT), que se tornou um grande fenômeno de mídia. …”
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  10. 70

    America’s Lost Innocence and Cinema by Patrycja Włodek

    Published 2015-10-01
    “…<em>Far From Heaven, The Hours, Revolutionary Road</em>, the TV series <em>Mad Men</em> [2007–], <em>Pleasantville</em>). …”
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  11. 71

    The impact of restrictive measures to prevent the spread of COVID-19 on students’ lifestyle by O.O. Vinogradov, O.I. Guzhva

    Published 2022-09-01
    “…There was a significant increase in time spent by students watching movies and TV series and a decrease in time for walking (p <0.05). …”
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  12. 72

    Conference Report The Second Tourism And Hospitality International Conference (Thic 2014) by A. Kadir Din

    Published 2020-02-01
    “…As I write this report, there was an announcement on TV on the discovery of debris from Air Asia carrier flight QZ 8501 which left Surabaya two days earlier. …”
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  13. 73

    Notícias by Transfer News

    Published 2017-12-01
    “…<<www.editorialcomares.com/TV/articulo/3149-Tres_escritoras_censuradas.html>>   5. …”
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  14. 74

    Cinema as a form of composition by Michele Guerra

    Published 2021-05-01
    “…Today, we are still in that position, with the director still considered the author of the film, but that was not always so: back in the 1910s, in the United States, the author of the film was the scriptwriter, the person who wrote it (as is now the case for TV series, where they have once again taken pride of place as the showrunner, the creator, the true author of the series, and nobody remembers the names of the directors of the individual episodes); or at times, it can be the producer, as was the case for a long time when the Oscar for Best Picture, for example, was accepted by the producer in their capacity as the commissioner, as the “owner” of the work. …”
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