The Comfirmation of the Starting points (The Opinions of S. H. Vajanský on Culture, Arts and Literature during 1882 – 1890) by Ivana Taranenková

“…This function of literature and art, in which pathos of nationalistically reviving process occurs, as well as Vajanský ´s religiosity, are resources of his demand on ethic measure of literature. …”
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Pessoa, this volume of being: An anthropological experiment by Piette, Albert

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Coadunados pela estética? Fernando Pessoa e Francisco Costa by Penteado, Flávio Rodrigo

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Establishing a Conception: 1879 – 1881 (About Literarily Aesthetic Opinions of Svetozár Hurban Vajanský) by Ivana Taranenková

“…This central principle of Vajanský’s conception in the context of his opinions of literature and arts significantly determine tendency to establish heteronymous model of arts. …”
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Metafizyka i literatura w epoce nieprawdy. O Księdze niepokoju Fernanda Pessoi by Mieczysław Jagłowski

“…In this context, the issue of relations between literature and philosophy is considered, with regard to the modernist undermining of philosophy’s claims to truth, and equating both of these areas of their creativity in terms of possibility of accessing the truth and expressing it…”
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Kocúrkovo As a Slovak Anti-Myth by Peter Zajac

“…Kruláková was also the first who depicted an irony line in the Slovak literature from Bajza, Chalupka to Záborský. Then J. …”
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THE POETRY OF DUBRAVKO HORVATIĆ - OPUS AND MICROSTRUCTURES by Miljenko Buljac

“…In the concluding chapter Horvatić’s poetic oeuvre is certified by findings of other researchers, and placed in the context of his generation and Croatian literature in general.…”
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HETERONÍMIA E SINCERIDADE NA CRIAÇÃO DO PRIMEIRO FRADIQUE MENDES by Cristina PETRESCU

“…The “tricephalic poet” Carlos Fradique Mendes, collective creation of the Generation of 1870 and synthesis of the ideals of this generation, was introduced to Portuguese literature as a unique heteronymical phenomenon. His parents, Eça de Queirós, Antero de Quental and Jaime Batalha Reis infused their literary and ideological homunculus not only with the moral and esthetical principles of the baudelairian satanism and the appetence for perfection proper to dandyism, but also with the complexity of the identity game that turned Fradique Mendes into the first actor of an endless saga of invisibility. …”
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