De la bibliothèque au « Tesseract » : une représentation borgésienne de la littérature dans le film de Christopher Nolan Interstellar (2014)  by Emmanuel Buzay

“…The library of the character Murphy in Christopher Nolan’s film Interstellar (2014) is innovative in its staging of intertextual references, as well as integrating a four-dimensional media device: a “tesseract”. …”
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Reactivity of the Ethenium Cation (C₂H₅⁺) with Ethyne (C₂H₂): A Combined Experimental and Theoretical Study by Vincent Richardson, Miroslav Polášek, Claire Romanzin, Paolo Tosi, Roland Thissen, Christian Alcaraz, Ján Žabka, Daniela Ascenzi

“…Results have implications for the modeling of hydrocarbon chemistry in the interstellar medium and the atmospheres of planets and satellites as well as in laboratory plasmas (e.g., plasma-enhanced chemical vapor deposition of carbon nanotubes and diamond-like carbon films).…”
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A Foreshortened Future and the Trauma of a Dying Earth in Christopher Nolan’s <i>Tenet</i> by Amar Singh

“…Despite failing to provide any remedy by revealing ‘What’s happened happened’, a viewpoint that Christopher Nolan, as an auteur, has already presented in his previous film <i>Interstellar</i> (2014), the film leaves the audience with the question, what is the purpose of projecting an unseen trauma? …”
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Radio Astronomy by Shao, Micheal, Staelin, David H., Melcher, James R., Rosenkranz, Philip W., Barrett, Alan H., Myers, Philip C., Burke, Bernard F., Walker, Robert C., Haschick, Aubrey D., Giuffrida, Thomas S., Garcia-Barreto, J. Antonio

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Radio Astronomy by Shao, Michael, Staelin, David H., Johnson, Timothy L., Lang, Jeffrey H., Melcher, James R., Rosenkranz, Philip W., Toldalagi, Paul, Bigelow, Timothy S., Baumann, William T., Barrett, Alan H., Myers, Philip C., Burke, Bernard F.

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Climate Migration in Post-Apocalyptic Narratives on the Mainstream Screen by Linda Koncz, Alex Villas Boas

“…Through the perspective of ‘catastrophising thought’, this work undertakes a comparative analysis of five post-apocalyptic films dealing with climate migration: <i>Waterworld, Snowpiercer</i>, <i>Interstellar</i>, <i>Mad Max: Fury Road</i> and <i>Mortal Engines</i> in order to identify recurring themes within their dystopian societies. …”
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Radio Astronomy by Barrett, Alan H., Myers, Philip C., Burke, Bernard F., Shao, Michael, Staelin, David H., Lang, Jeffrey H., Johnson, Timothy L., Rosenkranz, Philip W., Komichak, Michael J., Ali, Ali D. S., Szabo, Bernard I., Bigelow, Timothy S., Baumann, William T., Toldalagi, Paul, Jin, Jian-sheng

Subjects: “…Microwave Spectroscopy of the Interstellar Medium…”
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Reading the Apocalypse with Christopher Nolan: Story and Narrative, Time and Space by Jamie Davies

“…This essay examines the Book of Revelation in dialogue with the films of Christopher Nolan, with particular attention to the use of nonlinear narrative. …”
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Radio Astronomy by Barrett, Alan H., Myers, Philip C., Burke, Bernard F., Shao, Michael, Staelin, David H., Garnavich, Peter M., Lang, Jeffrey H., Johnson, Timothy L., Shih, Shih-Ming, Yam, Yeung, Rosenkranz, Philip W., Komichak, Michael J., Nathan, S. Krishna, Ali, Ali D. S., Ghosh, Biswa, Sulecki, Joan M., Lamb, R. H., Jin, Jian-sheng

Subjects: “…Microwave Spectroscopy of the Interstellar Medium…”
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The phantom referent : perceptual realism in cinema by Boh, Aloysius Chee Kai

“…We live in an age where photorealistic objects in films do not necessarily have physical referents — look no further than the dinosaurs in Jurassic World (2015), and the wormhole in Interstellar (2014). …”
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Radio Astronomy by Staelin, David H., Shao, Michael, Melcher, James R., Rosenkranz, Philip W., Ledsham, William H., Barrett, Alan H., Myers, Philip C., Walker, Robert C., Burke, Bernard F., Haschick, Aubrey D., Giuffrida, Thomas S., Baan, Willem A.

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“Blame it on the Black Star”: Black Holes in Culture by Mario Rodriguez

“…“Black holes” continue to compel the human imagination, as demonstrated by the public reception of the first images of a black hole produced by the Event Horizon Telescope in 2019 or the success of Hollywood science fiction movies like Christopher Nolan’s 2014 film Interstellar that depicts what it might be like to fall into one. …”
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Plateau by Png, Hui Min

“…Approach: I take my creative cues from the films of my youth, and so it is with my visual approach to PLATEAU. …”
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Pore Accessibility in Amorphous Solid Water by Rebecca A. Carmack, Patrick D. Tribbett, Mark J. Loeffler

“…Previous laboratory studies examined the interconnectivity of ASW pores in thin ASW films relevant to ice mantles on interstellar grains. …”
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Eschatological Technophobia: Cinematic Anticipations of the Singularity by Daniel Conway

“…Following my critique of several films that rely, uncreatively, on the trope of eschatological technophobia, I turn to a consideration of two relatively recent films in the genre: Christopher Nolan’s Interstellar (2014) and Denis Villeneuve’s Arrival (2016). …”
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Uncovering the chiral bias of meteoritic isovaline through asymmetric photochemistry by Jana Bocková, Nykola C. Jones, Jérémie Topin, Søren V. Hoffmann, Cornelia Meinert

“…As analogues to amino acids adsorbed on interstellar dust grains, CPL-helicity dependent enantiomeric excesses of up to 2% were generated in isotropic racemic films of isovaline. …”
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