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“Il faut défendre la subjectivité”: Vulnerability in Levinas’s Ethics
Published 2021-06-01Get full text
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« Être auteure, ce n’est pas encore être » : La visibilité féminine à travers les BD de Judith Forest
Published 2014-01-01“…It questions the role and identity of the author of creative works (in the line of Sartre, Foucault and Barthes) as well as the actual and physical existence of a person behind the name “Judith Forest.” I propose to examine the visibility of women in French comics (and in the public sphere) through the study of Judith Forest’s work which has caused a lot of stir in 2009 and 2011 in France to finally reveal a fake author – a creature of paper created by its publishers. …”
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Italian 17th- and 18th-Century Dramatic Works with Music, Written for the Clothing and Profession Ceremonies, with Special Reference to Compositions Based on the Book of Judith
Published 2020-12-01“…Late 16th- and early 17th-century Italian theatrical works (with or without music) based on the Book of Judith are perceived as associated with women, who acted as their performers (in female monasteries), dedicatees, or patrons. …”
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Performative Memory
Published 2021-12-01“…In this article, I use the concepts of Judith Butler’s theory of performativity, namely interpellation, subject constitution, repetition, sedimentation, citationality and subversion, to show how she could provide a procedural account of memory formation. …”
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Ivan Turgenev’s tale “Torrents of Spring” as a prose tragedy: Inner compulsion for mimetic competition as Sanin’s hamartia
Published 2024-12-01“…The analysis of the pieces of art mentioned in the story (Danneker’s “Ariadne”, Allori’s “Judith”) shows that there is also another element that is widespread in tragedies, predictions of the main character’s moral downfall and ‘enslavement’ to Maria Nikolaevna. …”
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