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Piloting a New Model for Treating Music Performance Anxiety: Training a Singing Teacher to Use Acceptance and Commitment Coaching With a Student
Published 2020-05-01“…In turn, she provided six one-hour ACC sessions to a university student vocalist. Materials for the training and coaching sessions were taken from an ACC book and an ACT-based self-help book for musicians, and the teacher also adhered to a GROW model of coaching. …”
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The growth of the Creative role of animation through percussion translation An animation show, with an animated TV interval))
Published 2023-03-01“…The research also addressed in this rhythmic interval to shed light on the growth of the rhythmic and creativity role of tow - dimensional movement through a rhythmic musical piece that was played with strings, which is a song, and vocalist. The Egyptian . who is full of many traditional songs that have been stuch in the minds and hearts of the Egyptian people old and young .That song was composed and composed by ( Ahmed Abd El-Qader from 1916th aged ), The Egyptian artist and singer who accompanied the opening of the Egyptian Radio at 1934th year and was one of the first singers who participated in singing in its programs since the first week.The rhythmic musician has a role in highlighting and intensifying the dramatic event in animation films, so there must be a dynamic connection between what appears with in the frame of the picture and what the recipients hear, as the music that is not synchronized with the movement may lead to a dramatic negative result in the breaks or animated films. …”
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SERTA MEKANISME VOKALISASI PADA PERENJAK JAWA (Prinia familiaris Horsfield, 1821), KUTILANG (Pycnonotus aurigaster Vieillot, 1818), dan PENTET (Lanius schach Linnaeus, 1758)
Published 2013“…Structural vocal tract differences lead to differences sound production mechanisms of these three birds.…”
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Vocal music and brain plasticity_a literature review
Published 2023-03-01“…There is also a significant difference in the brain changes of vocalists and non vocalists. Vocal music impacts the left side of the cortex. …”
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Chinese Academic Vocal Art in the Context of Modern Musicology
Published 2020-02-01“…The analysis of modern intelligence on its specific character and history enables to distinguish the following leading lines of research: 1. revealing the features of professional vocal academic education — the importance of national traditions, aesthetic ideas of prominent figures of Chinese culture, ideological components; focus on the spiritual development of the singer’s personality; systemic; the importance of influence of foreigners, in particular Russian, Soviet, performers and teachers; 2. understanding of performance issues related to the internationalization of vocal education, the specific features of the Chinese language, the distinction of intonation status in the musical thinking of East and West, the synthesis of academic and national singing, and the formation of Chinese folk-academic singing; 3. forecasting the ways of development of the bel canto national school and overcoming methodological and pedagogical and performing issues; 4. the coverage of a circle of performance receptions caused by the synthesis of folk and academic vocals; intensifying attention to the study of the peculiarities of the performance of prominent Chinese vocalists; 5. creating panoramas of outstanding Chinese bel canto figures. …”
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CENTRAL FEMALE CHARACTERS FROM VERISTIC OPERAS IN THE REPERTOIRE OF THE MARIA BIESU NATIONAL OPERA AND BALLET THEATER FROM CHISINAU
Published 2021-09-01“…The following operas are played regularly: Cavalleria Rusticana by Pietro Mascagni; Pagliacci by Ruggiero Leoncavallo; La Bohème, Tosca, Madama Butterfly and Turandot by Giacomo Puccini; Adrianna Lecouvreur by Francesco Cilea. The roles of female leads in the verist operas staged in Chisinau were played by vocalists at the beginning of their careers, as well as great personalities, such as Elena Obrazțova — Russia (Santuzza), Maria Nistor Slătinaru — Romania (Santuzza), Veronica Tello — Spain (Mimi), Nicoletta Mayer — Romania (Mimi), Olga Busuioc — Germany (Mimi). …”
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Zora D. by Isidora Žebeljan: Towards the new opera
Published 2004-01-01“…The opera was written for four vocalists: the soprano, the baritone, and two mezzo-sopranos. …”
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