Stenhammar's affective shimmer: landscape, form and subjectivity in the Serenade, op. 31, first movement door Grimley, DM

“…Inspired by Herbert Blomstedt’s radiant live recording of the work with the Gothenburg Symphony Orchestra, the article assesses the opening movement of the Serenade in order to begin to sketch an affective methodology for interpreting Stenhammar’s work.…”