Comment Hollywood figure l’intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Dr. (2001) et Inland Empire (2006) by David ROCHE

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Lost Highway y Mulholland Dr. de David Lynch: una aproximación psicoanalítico-comparativa by Leda Rodríguez Jiménez

“…El artículo propone una lectura comparativo-psicoanalítica de los filmes Lost Highway y Mulholland Dr. del realizador norteamericano David Lynch. …”
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Lost highway de David Lynch : couloir de la mort, couloir mental et organique by Estelle Dalleu

“…La prison, et plus particulièrement le couloir de la mort, est le point central du film Lost highway (1997) réalisé par le cinéaste américain David Lynch. …”
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David Lynch’s Influence on David Foster Wallace’s Infinite Jest by Paolo Pitari

“…Finally, the analysis takes into consideration Lynch's films produced prior or during the writing of Infinite Jest, and exclusively those Wallace expressed direct admiration for, namely: Eraserhead (1977), The Elephant Man (1980), Blue Velvet (1986), and Lost Highway (1997).…”
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Whose Story is This? The Non-existence of the External Gaze in David Lynch’s Films. by Asli Favaro

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L’utopia egoista nei film di David Lynch: una ribellione contro i limiti della realtà by Lorenzo Gineprini

“…The present paper aims to reveal how the subject of utopia is dealt with by the film director David Lynch, with a particular focus on his works Lost Highway and Mulholland Drive. …”
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L’archi-road movie, ou le routage des sens by Peter Szendy

“…El artículo analiza el curso filmado por los ojos y oídos de un número de films como Blow Out (Brian DePalma, 1981), Lost Highway (David Lynch, 1997), and Deathproof (QuentinTarantino, 2007).…”
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