The Violation of Representation: Art, Argento and the Rape-Revenge Film by Alexandra Heller-Nicholas

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Differential Impact of Types of Social Support in the Mental Health of Formerly Incarcerated Latino Men by Miguel Muñoz-Laboy DrPH, Nicolette Severson MA, Ashley Perry MPH, Vincent Guilamo-Ramos PhD, MSW, MPH

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Skeletal Muscle Transcriptomic Comparison Between Men and Women in Response to Acute Sprint Exercise by Mingkun Nie, Qingling Liu, Cheng Yan, Cheng Yan, Cheng Yan

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The film festival sector and its networked structures of gender inequality by Martha E. Ehrich, Katharina Burgdorf, Zhenya Samoilova, Skadi Loist

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Review of Postfeminism and Paternity in Contemporary U.S. Film: Framing Fatherhood by Elaine Lennon

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Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt by Olugbenga Elegbe

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DELINEATION OF WOMEN IDENTITY IN THE DISNEY ANIMATED FILM ECANTO (2019) by Agustin Diana Wardaniningsih, E. Ngestirosa Endang Woro Kasih

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Kristian Paludan og Willy Rohde: Multinationale medier - samme menu til hele verden / W Rohde (prod.) og K Paludan (inst.): Men virkeligheden er en anden - Guinea Bissau og den ny... by Marie Storr-Hansen

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Tradition, improvisation and modernity in Yucatecan Mayan shamanism: The suhuy art of Juan Cob, h-men of Yaxcabá by Michel Boccara

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Philip Cavendish: <i>The Men with the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s</i> by Mario Slugan

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Dekonstruksi Representasi Perempuan pada Poster Film Pahlawan Super Produksi Hollywood by Shienny Megawati Sutanto

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Accelerated forgetting of a trauma-like event in healthy men and women after a single dose of hydrocortisone by Vanessa E. Hennessy, Luzia Troebinger, Georges Iskandar, Ravi K. Das, Sunjeev K. Kamboj

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Attitudes Toward Gay Men and Lesbian Women Moderate Heterosexual Adults’ Subjective Stress Response to Witnessing Homonegativity by Hunter Hahn, Ilana Seager van Dyk, Woo-Young Ahn

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Lights, camera…research! Short film and social media to recruit to HIV research in Indonesia by K Gedela, H Luis, RF Loverian, S Maharani, N Rajus, FS Wignall, A Garner, E Sukmaningrum, A McOwan, N Nwokolo, G Whitlock, I Irwanto

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(Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films by G. Neil Martin

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Sex Differences in Emotional Evaluation of Film Clips: Interaction with Five High Arousal Emotional Categories. by Antonio Maffei, Valentina Vencato, Alessandro Angrilli

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IDEOLOGI FILM KARTUN ANIMASI ANAK (REFLEKSI FILOSOFIS ATAS PEDAGOGI TERSEMBUNYI DALAM DUNIA DISNEY) by Siti Murtiningsih, Hastanti Widy Nugroho

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“Present Your Bodies”: Film Style and Unknowability in Jessica Hausner’s Lourdes and Dietrich Brüggemann’s Stations of the Cross by Catherine Wheatley

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« Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… » by Dmitri Titarenko

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"Facing Our Fears": Using facilitated film viewings to engage communities in HIV research involving MSM in Kenya by Kombo, B, Sariola, S, Gichuru, E, Molyneux, S, Sanders, E, van der Elst, E