Central Europe in the Sixteenth Century: A Musical Melting Pot by Lilian P. Pruett

“…As these institutions were staffed by musicians coming from virtually every corner of Europe – each practitioner bringing his own territorial contribution with him – the emerging musical consciousness of the Central European region had as cosmopolitan a foundation as that of Europe at large. …”
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Islam, Memory, and Morality in Yemen by Daniel Martin Varisco

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Fatigue induces long-lasting detrimental changes in motor-skill learning by Meret Branscheidt, Panagiotis Kassavetis, Manuel Anaya, Davis Rogers, Han Debra Huang, Martin A Lindquist, Pablo Celnik

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Antimicrobial effect of fungal melanin in combination with plant oils for the treatment of wood by Anh N. Tran-Ly, Anh N. Tran-Ly, Markus Heeb, Tine Kalac, Francis W. M. R. Schwarze

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The fate of the postmodern world: On melancholy and rebellion by Milan Mihajlović by Vuksanović Ivana

“…As the composition was written for the BUNT festival (Belgrade) it fits the festival’s idea of expressing resistance to the government’s neglect of academic musicians and institutions. In the wider sense, it becomes a sign of the resistance to the world we live in, and that is the world of lost ideals. …”
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Viața muzicală târgumureșeană între anii 1918-1968. Scurtă privire by Carmen Mihăescu

“…In this place of culture, a Music School will take shape, under the pedagogical guidance of some important Romanian personalities and where the career of musicians of world-wide value, such as Constantin Silvestri, is foreshadowed. …”
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Listener perception of changes in historically informed performance of solo baroque music due to room acoustics by Eley Nolan, Lavandier Catherine, Psychoyou Théodora, Katz Brian F.G.

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Getting Into the Zone: A Pilot Study of Autonomic-Cardiac Modulation and Flow State During Piano Performance by Shreya Jha, Shreya Jha, Nicolette Stogios, Adriana Sarmento de Oliveira, Scott Thomas, Robert P. Nolan, Robert P. Nolan, Robert P. Nolan

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Monuments devoted to artists in public spaces around museums: A nineteenth-century strategy to enhance the urban space of art districts by Lorente, J. Pedro

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STRUKTUR DAN ESTETIKA ANGGUK PUTRI “SRI LESTARI” DI DUSUN PRIPIH KULON PROGO by Suryati Suryati

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RATIONAL AND EMOTIONAL FACTORS OF MUSIC AND PERFORMANCE AESTHETICS by Vіtalіi ZAIETS, Oksana ZAIETS

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The use of metaphorical musical terminology for verbal description of music by Milena Petrović, Marija Golubović

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Indonesian Poetry Song Composition in Musicology Perspective by Kartini Ruth Maduma Manalu, G. R. Lono Lastoro Simatupang, Nyak Ina Raseuki

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3. Pianist Aurelia Simion - Talent, Creativity, Performance by Andriuţa Viorica

“…Coming from a family of musicians, the descendant of a dynasty that traces its roots back to the 19th century, had Lia Oxinoit as a teacher at the pre-university cycle and Ludmila Vaverco at the Gavriil Musicescu State Conservatory from Chisinau. …”
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Tania Mouraud. Ear Rooms by Daniele Balit

“…Like that of her contemporaries Vito Acconci, Robert Morris or Bruce Nauman, Mouraud’s collaborations with musicians such as Eliane Radigue, La Monte Young, and Jon Gibson exemplify a spirit of hybridization shared in common with the American neo-avant-gardes. …”
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Mapping interdisciplinary collaboration in music education: analysis of models in higher education across North America, Europe, Oceania, and Asia by Guozhong Zhang, Jian Sun, Ying Sun

“…However, there is minimal quantitative mapping of initiatives across institutions and regions. Contextual insights explaining regional variations are also scarce. …”
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‘Following the male gaze; Visiting the Green Room at London’s Opera House’ by Burden, M

“…The two volumes of Bernard Blackmantle’s 1826 The English Spy are part of a particular English ‘spying’ tradition, in which an observer’s eye is trained on the people and institutions of the London metropolis. Illustrated by Cruickshank, those institutions included the Opera House, more specifically, its Green Room, an image that includes ‘portraits of ten noble and distinguished patrons of the opera, with those certain daughters of Terpsichore’. …”

Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures by Sérgio Freire, Geise Santos, Augusto Armondes, Eduardo A. L. Meneses, Marcelo M. Wanderley

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Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role by Vasić Aleksandar

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Cheques or dating scams? Online fraud themes in hip-hop songs across popular music apps by Suleman Lazarus, Olatunji Olaigbe, Ayo Adeduntan, Edward T. Dibiana, Geoffrey U. Okolorie

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