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Only a groomed woman deserves her name: Fashion, emancipation, and stardom in the Czechoslovak film musical THE LADY OF THE LINES
Published 2017-01-01“…NECS…”
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Enhanced echoes – Digitisation and new perspectives on film sound
Published 2014-01-01“…NECS…”
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Creativity, passion, and community: The rise of India’s transnational producers
Published 2023-01-01“…NECS…”
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Trans* film festivals – An interview with Eliza Steinbock
Published 2013-01-01“…NECS…”
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Experimenting in circles: Agfa, amateur cinema, and the art of R and D
Published 2023-01-01“…NECS…”
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Thinkering with the Pathé Baby: Materiality, histories and (re)use of 9.5mm film[
Published 2022-01-01“…NECS…”
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Cybernetic subjectivities on a loop: From video feedback to generative AI
Published 2023-01-01“…NECS…”
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Reflections on Montreal’s Elektra festival, its twentieth edition, and the exhibition of digital media art
Published 2019-01-01“…NECS…”
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The play of iconicity in Lars von Trier’s THE HOUSE THAT JACK BUILT
Published 2020-06-01“…NECS…”
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Policing the people: Television studies and the problem of ‘quality’
Published 2012-01-01“…NECS…”
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Sweeping changes in Eastern Europe: The documentary frame in Gerd Kroske’s ‘Kehraus’ trilogy (1990-2006)
Published 2017-01-01“…NECS…”
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Methods we live by: Proceduralism, process, and pedagogy
Published 2020-01-01“…NECS…”
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The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac
Published 2024-01-01“…NECS…”
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Reaching out!: Activating space in the art of Olafur Eliasson
Published 2015-04-01“…NECS…”
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Film, media, and visual culture studies, and the challenge of machine learning
Published 2021-01-01“…NECS…”
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