Aladdin Sane and Close-Up Eye Asymmetry: David Bowie’s Contribution to Comic Book Visual Language by Igor Juricevic

“…I then make a case that the adoption of CUE-A into Comic Book Visual Language was specifically due to the cover image for Aladdin Sane by analyzing: (1) the use of CUE-A by influential artists in the 1990s and (2) the different rates of adoption of CUE-A for the depiction of established versus newer comic book characters.…”
Get full text

Le Transperceneige et Snowpiercer : figuration, sas et espaces de transit(ion) by Tessa Sermet

Get full text

Lo specchio e lo schermo: riflessi rubati nelle distopie del XX secolo by Pantalea Mazzitello

Get full text

DeThe Searchers (1956) à Gideon’s Day (1958) : un cas emblématique d’autoparodie chez John Ford by Fabien Meynier

“…However, we will see that the parody of The Searchers that we can perceive in this beginning of the film builds on the one hand a commentary of the previous work, and on the other hand a discourse on the evolution of the family unit within contemporary society. …”
Get full text

Close-up as a Marker of the Change of Genre Register in the Second Season of the Friends TV series by Verevkina, Darya

“…Each close-up in the second season of the Friends TV series is one of the tools for introducing features of an alien genre, which is mockingly played out and destroyed, generating a comic effect. …”
Get full text

Music video clip storyboard writing among focus group learners of media. by Abd Rahim, Normaliza

“…A storyboard is simply a sequence of drawings, similar to a comic book, which represents the sequence of shots in the finished screen work. …”
Get full text