Showing 81 - 94 results of 94 for search 'People's Artist of Ukraine', query time: 0.32s Refine Results
  1. 81

    The Music teacher's systematic idea of the national musical culture by Ma Shi

    Published 2022-10-01
    “…The formation of such idea is an urgent task for institutions of pedagogical education in Ukraine and the People's Republic of China. Solution to this problem involves the improvement of training forms and methods. …”
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  2. 82
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    DIDACTIC POTENTIAL OF PUPILS UPBRINGING BY MEANS OF LITARATURE WORKS IN EDUCATIONAL INSTITUTIONS OF WESTERN UKRAINIAN DIASPORA by Tetyana Rybak

    Published 2017-07-01
    “…It is established that the didactic potential of the upbringing of pupils by means of artistic word allows instilling love to the native language, to Ukraine, and thus it slows down the process of assimilation. …”
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  4. 84

    Problems of preservation, protection and restoration of cultural heritage objects and museum collections in the conditions of war by Pawłowska Aneta, Pabich Marek, Ivashko Oleksandr, Dmytrenko Andrii, Kozłowski Tomasz, Bigaj Przemysław

    Published 2023-06-01
    “…According to data verified by UNESCO, as of November 21, 2022, 218 sites have been damaged in Ukraine since the start of the war on February 24, including 95 religious sites, 17 museums, 78 buildings of historical and/or artistic significance, 18 monuments and 10 libraries. …”
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  5. 85
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    Arrangement of Choral Folk Songs in the Works of Mikhail Hayvoronsky by Hanna Karas

    Published 2018-06-01
    “…The composer has worked out folklore samples of the representatives of various ethnographic regions of Ukraine as well as Slavic (Belarusian, Croatian), American and Canadian peoples. …”
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  7. 87

    ФУНКЦІОНУВАННЯ БАЗОВИХ МІФОЛОГЕМ У НАРОДНІЙ ОБРЯДОВОСТІ ТА ЇХ ТРАНСФОРМАЦІЯ У СУЧАСНІЙ УКРАЇНСЬКІЙ ДРАМІ FUNCTIONING OF THE BASIC MYTHOLOGEMS IN NATIONAL RITUALS AND THEIR TRANSFOR... by Антоніна АНІСТРАНЕНКО, Антоній МОЙСЕЙ

    Published 2016-03-01
    “…The express of European modernism changed its formal dimension in Ukraine, but the traditional myths and concepts was remained and removed in modern postmodern period to the new quality: conceptual and symbolic structures review an important artistic role. …”
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    ДВОХСОТЛІТНІЙ ЕКСПРЕС: УКРАЇНСЬКА ЛІТЕРАТУРА ТА НЕЗМІННІСТЬ ПОВЕДІНКОВОЇ МОДЕЛІ ВЛАДИ / BICENTENARY EXPRESS: UKRAINIAN LITERATURE AND UNALTERABILITY OF BEHAVIORAL MODEL OF THE AUTH... by Ірина СКРИПНИК

    Published 2016-03-01
    “…Refuting phrase by Yuri Andrukhovych from the poem «The bad company» (collection "Songs for Mertvyi Piven", 2004), "Not enough suicides for a great literature", can form in a way an alternate answer, the artists simply do not survive to this point, they are murdered, destroyed at camps, tortured in the cellars of the NKVD, starved in the camps of the Gulag. …”
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  12. 92

    PREFACE by Oleh Pylypchuk, Oleh Strelko, Yulia Berdnychenko

    Published 2022-06-01
    “…It is established that the very fact of emergence of the Kyiv school of artistic textile, as a community of style, unity of forms, preservation, and continuity of traditions, had unbiased backgrounds since Ukrainian decorative weaving, a part of which is Kyiv weaving, inherited the abundant artistic traditions that were created over the centuries and most vividly manifested through the art of Kyivan Rus. …”
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  13. 93

    poetics of Eevhen Hrebinka’s poem “Bohdan”: (anti)colonial strategies of the art CONSCIOUSNESS by Olga V. Shaf, Oleksandra V. Goniuk

    Published 2023-12-01
    “…In the main part of the poem, the elements of colonial poetics are present: 1) in the speeches of hetman Khmelnitskyi, who is ready to surrender his regalia to the Moscow tsar, 2) in the narrative emphasis on the cultural and religious closeness of Ukrainians and Muscovites, and 3) in the readiness of the community to submit to the (potential) imperial center as well as 4) in the ideological assertion of Moscow’s historically determined rule over Ukraine as a blessing for it. However, the final scene of the people`s decision to submit to the Moscow tsar can be interpreted both as a definitive victory of the pro-imperial colonial worldview and as a reproach to Moscow for the betrayed “brotherhood”, which is voiced by the author from a distance of time, similar to the corresponding scenes in Cossack chronicles and the literary works of Ukrainian Romanticism. …”
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  14. 94