Application of the Conceptual Theory of Metaphor and Metonymy to Iran's Cinema: A Case Study of "the Snow on the Pines" by Amirsaeid Moloodi, Seyed Vahid NabaviZadeh Namazi

“…It meant that a metonymy that made metaphorical target domains obvious was first applied in most cases. In this film, the metonymies of EFFECT FOR CAUSE and POSSESSED FOR POSSESSOR went in this direction and introduced the target domains of LOVE and INFIDELITY.…”
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