Agent + Image : how the television image estabilizes identity in TV spy series by Bidlingmeyer, Lisa Marie

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Échos et remake dans les séries télévisées des années 1960 à nos jours by Jean Du Verger

“…Our study proposes to provide a definition of the echo in the frame of the TV series in order to better apprehend its sense, before drafting a taxonomy of the echo based on examples from a certain number of shows: Batman, The Avengers, The Wild Wild West, Hawaii Five-O, The Prisoner, Columbo, South Park, House, N.C.I.S., Breaking Bad, The Middle. …”
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Dystopian Villages: Surveillance and Re-mediation in The Prisoner by Sébastien Lefait

“…This seemingly incidental relocation gives new meaning to the TV series as a whole, as surveillance, which was one of the prominent themes of the original programme, becomes a keystone of the whole plot in the 2009 Prisoner. …”
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From Oz to Lockup: Bringing Prison Life (Back) Home by Claudia Schippert

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La religion et les grandes questions de société : l’exemple de la représentation de la peine de mort dans les séries américaines by Julie Richard, Georges Caron

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Subversive suburbia : L’effondrement du mythe de la banlieue résidentielle dans les séries américaines by Gérald Billard, Arnaud Brennetot, Bertrand Pleven, Amandine Prié, Donna Spalding Andréolle

“…This reversal is visible through multiple conflicts, tensions, and deviations that suburban characters from TV series are confronted with today. In the image of Wisteria Lane, where the smart rows of houses, well-kept alleys, and impeccable lawns hardly dissimulate masses of betrayals and murders of all sorts, the suburb has transformed into a theater of illusions, inhabited by people with tormented destinies or perverted personalities: from the chemistry teacher forced to cook amphetamines to pay for his chemotherapy (Breaking Bad, AMC, 2008–) to the mother who sells marijuana (Weeds, Showtime, 2005–2012), or the Hells Angels tossed back and forth between arms trafficking and family life (Sons of Anarchy, FX, 2008–), from polygamous subdivisions (Big Love, HBO, 2006–2011) to the golden prison of an abandoned housewife (Mad Men, AMC, 2007–), the peaceful and idyllic image of the suburb seems more degenerated than ever, letting show through the moral failure of a society led astray by a residential normalcy that is just as contrived as illusory.…”
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Orange is the New Black by Eric Bolanos

“…Orange is the New Black is Netflix’s new hour-long series set in a women’s prison that mixes elements of comedy and drama. …”
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Les minorités raciales, la justice et la peine de mort dans les séries télévisées américaines de networks, 1950-1977 by Julie Richard

“…In order to describe narrative and visual conventions regarding minorities and their relation to crime and the justice system, 139 episodes of various American TV series broadcast for the first time between 1950 and 1977, all of which dealing generally with capital punishment or, quite often, specifically with legal execution, have been analyzed for this study. …”
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Aspects of Emotional Maturity Manifestation in Female Convicts Serving Deprivation of Liberty Sentences by Pozdnyakov V.M., Kalashnikova T.V., Ovsyannikova M.V., Kalashnikova M.M.

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Battlestar Galactica: A Closed-System Fictional World by Florent Favard

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My Name is Nobody / by Richardson, Matthew, 1990-, author

One-man-band: Clough Williams-Ellis’ Architectural Ensemble at Portmeirion by Maria Angelica Manosalva

“…This essay, by including a narrative mode of creative writing that describes my own journey to Portmeirion, aims to challenge the common association of the village in fictional representations such as the 1960s TV series 'The Prisoner', as well as tackling its long disregard within British architectural history. …”
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La gabbia è piena. Orange is the New Black e il Complesso Carcerario Industriale by Valeria Gennero

“…Valeria Gennero’s “The Cage is Full” focuses on the role played by the Tv series Orange is the New Black (2013-2019), created by Jenji Kohan, in the dissemination of the term Prison-Industrial Complex in contemporary U.S. debates about racism and American identity. …”
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Victim's Choice / by McClister, Michael, author 531880

“…With an unquenchable thirst for revenge, Joe develops a crazy scheme to get at the criminal in prison.At the same time, there begins in the city a series of murders of people close to convicted killers. …”

Biopower is the New Black: Gender Refractions and Reflections Between Panopticon and Television by Antonia Anna Ferrante

“…I will try to answer this question through the critical analysis of Orange is the New Black, a TV series produced by Netflix and based on Piper Kerman’s autobiographical novel. …”
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Accessing the Trauma of Communism. Language, Symbols and Representations by Delia Oprea

“…The Memorial of Pain – a TV series comprising 208 episodes – is a memorable documentary produced by the Romanian journalist-filmmaker Lucia Hossu-Longin, which assembles interviews with witnesses and actual victims, and testimonials to the horrors of prisons, forced labour concentration camps, Romanian Securitate’s repressive actions during the communist period, as well as to the atrocities suffered by those suspected of acting against the regime, especially intellectuals. …”
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A Sociological Explaining of Attitudes toward Violence Against Women among Male College Students in Mazandaran Province by Samaneh Eskandary, Akbar Aliverdinia, Mohammad Esmaeil Riahi, Memar Rahmatollah

“…Gender Stereotypes of Iranian TV Series in 2005. Women in Development & Politics (Women’s Research), 13, 59-89. …”
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