Visualizing the Virus. The Use of Data Visualizations in COVID-19 Documentaries by samuel antichi

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Cinematic sign in realistic cinema Applied to Muhammed Khan films by Dr.Nahla Elshenidi

“…Realistic cinema is defined as a description of what is ordinary, in the sense that cinema is the language of reality, but does that ordinary and realistic language have the possibility of using the symbol and sign in the visual language? Or does realism not bear the signs, as it is an explicit art, merely a transfer of reality …”

Art appreciation / [filem jalur] by Bertram, Anthony

Virtual Immersivity: some semiotic issues by Ilaria Ventura Bordenca

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Characteristics and Development Achievements of Modern Painting Art Based on the Perspective of Fine Arts in the Context of Digitization by Feng Dakang, Feng Momo

“…In this paper, based on the method of information theory, the indexes of order, complexity, and saliency of images are proposed to characterize the digital features of different aspects of the visual art of painting. The FisherScore selection mechanism is used to evaluate and screen the excellent features extracted. …”
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Effect of model scale on predicting illusory stereo depth effect of luminance contrast in real and virtual environments by Nan-Ching Tai

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Visual Expression of Insight Through Nature by Janette Kiara Zerlinda Santosa, Ariesa Pandanwangi, Wawan Suryana

“…Various streams that visualize this include realism or naturalism. These visual expressions can represent and record nature. …”
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THE BOLSHEVISM IDEOLOGY AND LEADER IMAGE IN THE SOVIET ART by Dubrovskii A.M., Karpuhin A.A.

“…Later, his image in the visual arts is canonized, the cult of Lenin develops. …”
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The work of art in postwar fiction 1945-2001 by Brazil, K

“…<p><em>The Work of Art in Postwar Fiction 1945-2001</em> explores the responses of postwar novelists to visual art by focusing on the work of Samuel Beckett, William Gaddis, John Berger and W. …”

Around 1948: The “Gentle Revolution” and Art History by Anna Markowska

“…The received idea that the evil regime was visualized only by the ugly socialist realism is a disguise of the Polish dream of innocence and historical purity, while it was the war which gave way to the revolution, and right after the war artists not only played games with the regime, but gladly accepted social comfort guaranteed by authoritarianism. …”
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Criticism of the soviet reality of the post-Stalin period by means of graphic artefacts and audiovisions (from loyalty to the power to recusancy) by Yury A. Golubitsky

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Exploring priors for visual content restoration and enhancement by Zhou, Shangchen

“…Our model significantly outperforms existing methods in both synthetic and real-world benchmarks, as well as in AI-generated videos, showcasing impressive visual realism and texture details.…”
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“Un congegno che capta ogni cosa”. Susan Sontag e i limiti dell’immaginario fotografico by Daniele Garritano

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Do Not Freak Me Out! The Impact of Lip Movement and Appearance on Knowledge Gain and Confidence by Amal Abdulrahman, Katherine Hopman, Deborah Richards

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Farouk Gweda: The Realist Romantic by Ali Nazari, Somayyeh Ownaq

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Ethical issues of educational virtual reality by Alexander Skulmowski

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Poetics of Visual Image in “Caucasian text” by A. S. Griboedov by K. A. Potashova

“…The purpose of the study is to identify the features and principles of creating the illusion of visual perception in the "Caucasian text" by A. S. …”
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Postmodernist Visual Discourse on Lyotard's Views on Dushan's Works by Soheila Bahremani, Hossein Ardalani, Nafiseh Namadianpour, Parnaz Goodarzparvari

“…Lyotard presents a complex picture of art and culture. An image in which realism, modernism, postmodernism coexist together in all periods of art work. …”
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Towards the Theory of the Naïve Art – Grgo Gamulin and the Understanding of Modernism by Ivana Mance

“…The naïve artist, according to Gamulin, always starts from the beginning, independent of events in the art world, and immune to influences. A naïve artist is therefore necessarily authentic, or rather original: not having any role models, he develops an individual style, independently building his own visual arts language. …”
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The 'Bollywoodization' of Popular Indian Visual Culture: A Critical Perspective by Keval Joseph Kumar

“…The form and substance of these modern art forms, while adapting to the demands of the new media technologies, continued to be rooted in the visual arts and practices of folk and classical traditions of earlier times.…”
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